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		<title>The Guerrilla Framer: The Power of a Phone Call in Turning Prospects into Customers</title>
		<link>https://dev.artbusinessnews.com/2014/12/the-guerrilla-framer-the-power-of-a-phone-call-in-turning-prospects-into-customers/</link>
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		<pubDate>Wed, 03 Dec 2014 19:57:27 +0000</pubDate>
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		<guid isPermaLink="false">http://decormagazine.com/?p=6152</guid>

					<description><![CDATA[<p>By Paul Cascio Business owners in the framing industry use a variety of creative methods and expend a considerable amount of time, money and attention to generate sales leads. In addition to traditional advertising media, today’s businesses introduce themselves to prospective customers through websites, email and social networking. And well they should, because creating awareness for your brand lies at&#8230;</p>
<p>The post <a href="https://dev.artbusinessnews.com/2014/12/the-guerrilla-framer-the-power-of-a-phone-call-in-turning-prospects-into-customers/">The Guerrilla Framer: The Power of a Phone Call in Turning Prospects into Customers</a> appeared first on <a href="https://dev.artbusinessnews.com">Art Business News</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="http://decormagazine.com/wp-content/uploads/2014/12/Fotolia_61705535_XS.jpg"><img fetchpriority="high" decoding="async" class="alignleft wp-image-6190 size-full" src="https://decormagazine.com/wp-content/uploads/2014/12/Fotolia_61705535_XS.jpg" alt="Close-up portrait of young beautiful businesswoman" width="424" height="283" /></a><br />
<em>By Paul Cascio</em></p>
<p>Business owners in the framing industry use a variety of creative methods and expend a considerable amount of time, money and attention to generate sales leads. In addition to traditional advertising media, today’s businesses introduce themselves to prospective customers through websites, email and social networking. And well they should, because creating awareness for your brand lies at the foundation of any good marketing strategy. However, it’s not enough to just reach out to prospects; you need them to reach back. You want them to reciprocate by responding to your overtures. Ideally, you want each prospect, upon introduction to your business, to jump into the car, drive to your business and make a purchase—without procrastination and without detours or delay.</p>
<p>Unfortunately, modern consumers rarely take the shortest path to the point of sale. Getting a prospect into your business often involves an intermediate step: a phone call. Making a telephone inquiry gives prospects an opportunity to ask questions; assess the quality of customer service, competence and professionalism; and ultimately decide whether you’re the one they want to do business with.</p>
<p>In my previous column, “Turn Your Website Into a Sales Engine,” I wrote that the goal of your website should be to get a prospect to call you. A phone call is easier to achieve and gives you a second bite of the apple: a personal interaction that lets you build rapport with your prospect, provide useful information about your business and distinguish your business from the others.</p>
<p>That phone call also halts, at least temporarily, the prospect’s online browsing and keeps them from the clutches of your competitors.</p>
<p>I view every phone inquiry as an opportunity. It’s a chance to have a conversation with a prospect and to start and build a relationship. A telephone inquiry lets you sell the unique benefits your business offers and to sell yourself.</p>
<p>Your website may aim to get a prospect directly into your store, but the odds of it happening are stacked against you, especially if the prospect also visits the website of an always-on-sale-but-not-really-on-sale craft store and sees a coupon for 70 percent off. At that point, it’s “game over” for you because you have nothing with which to trump such a compelling offer, regardless of its veracity. But if your website convinces a prospect to call you to obtain more information, answer questions or learn about your current promotion, the outcome of the game is now within your control.</p>
<p><strong>Take Charge<br />
</strong>Now, let’s look at what you can do to take advantage of the great one-on-one opportunity a telephone inquiry offers.</p>
<p>When you receive a phone call from a prospect, you must be ready to effectively handle the call. Your primary goal, of course, is to get customers and their frame-worthy items through the door of your business. However, to make that happen, you’ll need to reach two secondary goals: building a rapport with the prospect and taking control of the conversation.</p>
<p>Building a rapport will come naturally as a result of the conversation, especially if you take time to include some small talk.</p>
<p>However, making a new friend is just half of the battle. You must also take control of the conversation. Taking control lets you—not the prospective customer—determine the direction and length of the conversation. Fortunately, with practice, you can fairly easily take control of a conversation. You need only ask questions; then, you’ll be the one driving the bus.</p>
<p>In any dialogue, the person asking questions is the one in control; the one answering the questions is not. You needn’t be pushy or rude to take and retain control. Instead, develop a habit of ending your portion of the dialogue with a question that encourages your prospects to talk about themselves or the items they want to frame. Controlling the conversation also lets you steer the discussion away from price.<br />
The best questions to ask are those that help you get your new acquaintance into your store or gallery. Preparation makes that goal easier to achieve. Develop a list of standard questions that you can rely on. Here are a few to get you started:</p>
<ul>
<li>Where will you be displaying the artwork?</li>
<li>What is the decor in that room?</li>
<li>Do you know where we’re located?</li>
<li>Can you come in now?</li>
</ul>
<p>These questions are easy to work into almost any conversation, and they help you achieve your objective.<br />
Keep in mind that someone is going to be in control of each conversation; if you’re not in control, the prospect is in control. The one question a prospect always wants to ask is, “How much will this cost?” That question is the one that you can’t and shouldn’t answer over the phone. Simply be strong and get them into your store or gallery, so that you can make a sale.</p>
<p>When you do get a question about price, explain briefly that pricing depends on a lot of variables, including the mounting method, glazing options, degree of required preservation and display options. The existence of all those variables makes it impossible to answer that question over the phone. Promise that you’ll provide an exact quote when the customer comes in.</p>
<p>Avoid mentioning the size of the piece the customer wants framed because he or she probably knows the dimensions of the artwork and will expect that information to be enough for you to quote a price. Also, avoid discussing the frame itself because this question, too, may lead to another pricing question: “What’s the cheapest frame I can buy for this piece?”</p>
<p>After you rattle off all the variables that affect price, follow up with a question of your own to retake control.</p>
<p><strong>Open the Door<br />
</strong>Clinch the deal by asking for a commitment: “Can you come in now?”</p>
<p>When a customer says, “Yes,” let him or her know where your shop is. Give directions that might bypass a competitor’s location.</p>
<p>Conclude the call by recommending that the caller ask for you upon arrival. It doesn’t matter whether you’re the only one there; it puts a potential customer on a first-name basis with you and lets that would-be client know that he or she has a friend in the business.</p>
<p>After ending the call, write down the name of the person you spoke to. It’s also good to keep track of your conversion rate—that is, how many prospects show up after a call. These techniques are amazingly effective, and they can make a dramatic difference in increasing your income.</p>
<p>Selling is possibly the most overlooked and underdeveloped skill in our industry. It’s also part of your job, so learn to do it well. Improving your sales skills and those of your staff can pay off in a big way. Because the sales process often starts with a phone call, include these tips in any training program.</p>
<p>When your website does its job well, your phone will ring more frequently. How well you handle each opportunity to speak with a prospect often determines the success or failure of your business. Be a guerrilla. Learn to sell. ◆</p>
<p><em><br />
Paul Cascio, the Guerilla Framer, is the lead instructor for The American Picture Framing Academy (pictureframingschool.com). He also provides business and sales training and consulting. Contact Cascio at pdc@pictureframingschool.com.</em></p>
<p>The post <a href="https://dev.artbusinessnews.com/2014/12/the-guerrilla-framer-the-power-of-a-phone-call-in-turning-prospects-into-customers/">The Guerrilla Framer: The Power of a Phone Call in Turning Prospects into Customers</a> appeared first on <a href="https://dev.artbusinessnews.com">Art Business News</a>.</p>
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		<title>The Guerrilla Framer: Turn Your Website into a Sales Engine</title>
		<link>https://dev.artbusinessnews.com/2014/09/the-guerrilla-framer-turn-your-website-into-a-sales-engine/</link>
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		<dc:creator><![CDATA[robhibbs]]></dc:creator>
		<pubDate>Mon, 22 Sep 2014 21:52:10 +0000</pubDate>
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		<guid isPermaLink="false">http://decormagazine.com/?p=6074</guid>

					<description><![CDATA[<p>By Paul Cascio,The Guerrilla Framer When I first joined the framing business more than 25 years ago, I had to advertise in the Yellow Pages directory. It was a necessary evil for anyone in a service business. The Yellow Pages directory was the Google of its day. There, consumers searched for services, such as plumbing, transmission repair and, yes, picture&#8230;</p>
<p>The post <a href="https://dev.artbusinessnews.com/2014/09/the-guerrilla-framer-turn-your-website-into-a-sales-engine/">The Guerrilla Framer: Turn Your Website into a Sales Engine</a> appeared first on <a href="https://dev.artbusinessnews.com">Art Business News</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="http://decormagazine.com/wp-content/uploads/2014/09/decor-fall14-Sales-Engine.jpg"><img decoding="async" class="aligncenter wp-image-6105" src="https://decormagazine.com/wp-content/uploads/2014/09/decor-fall14-Sales-Engine.jpg" alt="decor-fall14-Sales-Engine" width="474" height="369" /></a></p>
<p><em>By Paul Cascio,The Guerrilla Framer<br />
</em></p>
<p>When I first joined the framing business more than 25 years ago, I had to advertise in the Yellow Pages directory. It was a necessary evil for anyone in a service business. The Yellow Pages directory was the Google of its day. There, consumers searched for services, such as plumbing, transmission repair and, yes, picture framing. The less frequently consumers needed a service, the more important it was that the company have a commanding presence in the Yellow Pages, the place where consumers let their “fingers do the walking.”</p>
<p>Local telephone companies published the Yellow Pages, and those companies enjoyed a virtual monopoly. Sure, there were other wannabe books, but they were, for the most part, worthless. If you wanted your phone to ring, you needed to have an ad in the Big Book, as the telephone company liked to call it.</p>
<p>According to your Yellow Pages sales rep, the bigger the ad, the better—especially if you also opted for the magic of red ink. Advertising in the Yellow Pages was expensive, and if the ad didn’t produce the results you wanted, you couldn’t modify it. If you didn’t pay, you would lose your telephone service.</p>
<p>My first ad, a quarter-page masterpiece in the Hartford, Connecticut, directory more than 25 years ago, cost more than $600 a month, and it was a fixed expense for the term of its 12-month contract. The good old days turned out to be not so good.</p>
<p>Fortunately, the Yellow Pages directory is now mostly obsolete. Today, your prospective customers use search engines, such as Google, Bing and Yahoo, to seek out and compare service providers. Your Yellow Pages ad is now your website or, more specifically, the landing page of your website.</p>
<p>This month’s column examines ways to maximize the effectiveness and visibility of the first and most important page of your website, the landing or index page. It examines methods of improving search-engine optimization (SEO), or page ranking; avoiding common mistakes; and converting website visits into sales.</p>
<p><strong>Improving SEO<br />
</strong>Having a website is worthless if your prospective customers never see it. Your objective is to bring qualified traffic to your site. A high page rank with Google places your business at the top of the list when someone in your area conducts a search for the services you offer.</p>
<p>You shouldn’t worry about those potential customers who search broadly for “picture framing.” It’s OK if Google lists your site on page 372 of the results for such a broad search. The people doing those searches may as well be spitting into the ocean and will have to narrow their search criteria to get more useful information.</p>
<p>Your focus should be on the person whose search criteria includes additional keywords that identify your town, neighborhood, area code or zip code as a way of filtering the results. By focusing on localized searches, you can be the leader of the pack when it comes to search results.</p>
<p>Being at the top of the list of search results is ideal, but as long as your website appears in the upper portion of the first results page, or “above the fold,” to use a newspaper term, the user won’t have to scroll down the page to find you. I consider any listing above the fold to be a prime position.</p>
<p><strong>Achieving Prime Position<br />
</strong>It’s relatively easy to get prime position for localized searches. There are typically few frame shops in one part of any town or zip code. The key to success is to include searchable information, such as the neighborhood, town, zip code and area code in as many places on your website as possible and to include that information in the metatags—the behind-the-scenes info that search engines often use to decide page rankings.</p>
<p>Always include this information in your website:</p>
<p>&#8211; Title. Use a long title that includes lots of searchable information as part of the metadata.<br />
&#8211; Description. The page description is important not only because it enhances your page rank, but also because the first few lines of the description often appear in the search result. You can use it to convince prospects to visit your site.<br />
&#8211; Keywords. Keep in mind that using too many keywords could actually hurt your page rank. Google’s ranking system is a well-kept secret, and the company periodically changes it. Conventional wisdom suggests limiting the number of keywords to a maximum of six to 10. Separate keywords by commas, and the keywords should include your company’s general location and the words “picture framing,” “custom” and “art.”<br />
&#8211; Header. Work your location info into the headline of your website; for example, use a header such as “Orange Park’s Favorite Picture Framer.”<br />
&#8211; Body. Include as much searchable info as possible in the body text.<br />
&#8211; Image Names. Consider renaming images to include your zip code or town name.<br />
&#8211; Alternative Text. Use alternative text for situations in which the image is unavailable to readers—either because they have turned off “images” in their web browser or because they are using a screen reader due to visual impairment. Providing an alternative allows all users to access the same information, even if they cannot see an image. Some web browsers show the alternative text when the mouse cursor hovers over an image. As a side benefit, alternative text may enhance page rank for the searchable terms that identify your location.</p>
<p>Although it’s impossible to know exactly how Google, Yahoo, Bing and other search engines determine page rank, include information that identifies your location in as many places as possible. This approach gives you the best chance of achieving a high ranking whenever someone conducts a local search. After you maximize your chances of attracting prospects to your website, the next step is to focus on what to do with them once they’re there.</p>
<p><strong>Primary Objective<br />
</strong>The main objective of your website is to produce sales. However, if your business is a retail store or home-based business, you’re probably not directly selling products or services from your website. Therefore, the goal of your website should be to get customers into your store or to call you.</p>
<p>Unfortunately, most framing websites don’t achieve these goals. Most landing pages are nothing more than electronic business cards. With a bit of effort, however, you can make your site into an engine that repeatedly produces new customers and generates sales.</p>
<p>The key is to design your landing page as if it were a Yellow Pages ad. Despite being just keystrokes away from the competition, your landing page must convince visitors to end the search and choose you. And you want them to consummate the decision with a telephone call, which will give you an opportunity to get a verbal commitment for a face-to-face meeting.</p>
<p><strong>Where Are You? How Do You Get There?<br />
</strong>A good Yellow Pages ad included not only an address but also, when necessary, a map. The landing page of your website should include a map and written directions or a link to a Google Maps or MapQuest page with your location prelisted as the destination. Placing this information prominently on your landing page can help bring prospects directly to your store. A photo of the exterior of your store can also be a helpful navigational aid.</p>
<p>Next, make it visual. Picture framing is a visual business, yet many framers have a website that primarily includes only text—which is neither visual nor appealing.</p>
<p>A one-page website that looks professional and inviting is all you need to capture prospects. Later, you can add more content to your site. It’s a good idea to offer useful information, such as picture-hanging tips. However, the landing page makes the all-important first impression. Make sure it looks good before you spend time adding more pages.</p>
<p><strong>Don’t Derail the Sale<br />
</strong>The Google search that brings prospective buyers to your website also provides easy access to most, if not all, of your competitors, which invites comparison shopping. Naturally, it’s in your best interest if the shopping ends with a visit to your website.</p>
<p>Encouraging a phone call offers the most consistently valuable outcome, and it’s what you should strive for. A phone call does what a web page can’t: It creates a personalized experience. A phone conversation gives you a chance to build a rapport with your new prospect and an opportunity to separate yourself from the competition. It also allows you to answer questions and address your caller’s concerns.</p>
<p>If you effectively handle the call, your prospects will no longer feel the need to call other framers. Their search ends with you and with a promise to ask for you by name when they arrive at your store. Because of this rapport, you almost ensure a sale even before you end the call. When you actually meet your prospect, both of you will feel more at ease because you’re already familiar with one another.</p>
<p>Without that telephone conversation, distractions and nearby competitors can prevent even a well-intentioned prospect from arriving at your store. There’s no reason to rely only on the power of what visitors see and read on your website. A telephone conversation personalizes the experience and strengthens the prospect’s desire to do business with you and only you. Near the end of the conversation, be sure to ask, “Can you come in now?” Confirm an appointment, and you’re almost certain to make a sale.</p>
<p><strong>Make the Phone Ring<br />
</strong>Encourage customers to call by prominently placing your phone number in large type near the top of the page. Include some inviting words of encouragement, such as, “Call us with questions.” Consider displaying your number as an image rather than text. This approach can help reduce the number of telemarketer calls you receive.</p>
<p>Consider adding a call-me button, which immediately connects you to the prospect’s phone. A number of companies provide this service for a fee, but Google Voice users can get it free with Google’s Call Me widget. When a visitor to your site clicks on the call-me button, Google immediately calls both your phone and the visitor’s. In just seconds, you’re connected, giving you a chance to turn a website visitor into a customer.</p>
<p>Don’t use your website as just a business card; turn it into a sales engine with the techniques and strategies that made Yellow Page ads effective. Exploit these techniques and you’ll find that the next time that prospects let their fingers do the walking, there’s a good chance that walk will end with you.</p>
<p><em>Paul Cascio, aka The Guerrilla Framer, is director of the American Picture Framing Academy (pictureframingschool.com), where he conducts training workshops and seminars for new and established framers. Contact Cascio at pdc@pictureframing school.com.</em></p>
<p>The post <a href="https://dev.artbusinessnews.com/2014/09/the-guerrilla-framer-turn-your-website-into-a-sales-engine/">The Guerrilla Framer: Turn Your Website into a Sales Engine</a> appeared first on <a href="https://dev.artbusinessnews.com">Art Business News</a>.</p>
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		<title>The Guerrilla Framer</title>
		<link>https://dev.artbusinessnews.com/2014/07/the-guerrilla-framer/</link>
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		<dc:creator><![CDATA[robhibbs]]></dc:creator>
		<pubDate>Tue, 15 Jul 2014 19:03:05 +0000</pubDate>
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		<guid isPermaLink="false">http://decormagazine.com/?p=5998</guid>

					<description><![CDATA[<p>By Paul Cascio The framing and art industry has undergone a number of changes in recent years. Some of these were by design, while others were forced. Many were positive, perhaps even revolutionary, including innovations in technology. Most were evolutionary, brought on by the ever-growing power of the Internet. Yet other changes, like the proliferation of chain stores, have been&#8230;</p>
<p>The post <a href="https://dev.artbusinessnews.com/2014/07/the-guerrilla-framer/">The Guerrilla Framer</a> appeared first on <a href="https://dev.artbusinessnews.com">Art Business News</a>.</p>
]]></description>
										<content:encoded><![CDATA[<figure style="width: 576px" class="wp-caption aligncenter"><img decoding="async" class="size-full wp-image-6021 aligncenter" src="https://decormagazine.com/wp-content/uploads/2014/07/APFA1-14.jpg" alt="APFA1 (14)" width="576" height="433" /><figcaption class="wp-caption-text">Paul Cascio (right) working with a customer.</figcaption></figure>
<p><em>By Paul Cascio<br />
</em><br />
The framing and art industry has undergone a number of changes in recent years. Some of these were by design, while others were forced. Many were positive, perhaps even revolutionary, including innovations in technology. Most were evolutionary, brought on by the ever-growing power of the Internet. Yet other changes, like the proliferation of chain stores, have been a scourge for the many small businesses that, even today, form the majority of our industry.</p>
<p>One thing is for certain—it’s still a jungle out there. But it’s a different jungle. Today’s successful frameshop and gallery owners are a new and different breed from those who ruled the industry back in the ’70s, ’80s and ’90s. Today’s owners are smarter, focused on increasing market share and profitability, and have more business savvy. They enjoy making money at least as much as they enjoy making frames.</p>
<p>The industry is attracting a new generation of entrepreneurs who have been successful in other careers. They’re aggressive marketers and promoters who may be competitive by nature. Unlike framers of old, they refuse to hide their head in the sand but instead choose to stand up to bullies and, in some cases, beat them at their own game. They know who the competition is, and they’re going after them.</p>
<p>They’re guerrillas.</p>
<p>They recognize that potential new customers shop at big box stores. And that’s exactly who they aim for. In this column, you’ll learn how they do it, and how you can do it, too.</p>
<p>Of course, not all successful framers operate from a storefront, and not all art dealers are found in galleries. Our industry is full of creative, enterprising and in many cases, highly successful individuals and couples who enjoy the benefits of operating from home.</p>
<p>Long forgotten by the trade press and often shunned by mainstream retailers, Homies comprise a huge portion of our industry. In fact, it’s been estimated that more than half of all business owners in our industry got their start working from their basement, attic or garage. This silent and under-appreciated group knows it takes a special set of skills and its own set of unique strategies to succeed as a &#8220;homie.&#8221;</p>
<p>But something we must all come to terms with: someday we will all retire. And this means we will likely become a homie. A home-based framing business is low risk, enjoys low overhead and can provide a very attractive retirement income in a way that’s neither stressful nor physically demanding.</p>
<p>Well, now that you have an idea of what the Guerrilla Framer column is all about—making money—let me warn you about what you won’t find here. You won’t learn how to cut fancy mats. You won’t learn how to join corners seamlessly or mount a bowling ball with wheat starch paste. And you won’t be told how to remove spots from anything. It’s not that I couldn’t share a few ideas on those subjects, because after all, I am framer, and with all proper modesty, a pretty good one.</p>
<p>Actually, I’m only a pretty good framer for a maximum of about two hours. That’s because, although I’ve never been formally diagnosed, I am certain I have Attention Deficit Disorder. In fact, I had it before it was fashionable and before it even had a name. After two hours of framing, or anything else for that matter, I have what I refer to as “The Midas Touch.” Everything I touch from that point on turns into a muffler.</p>
<p>So while there are many awesome framers who would love to share their technical prowess, I’ll just limit this column to trying to help you take your business to a new level of success and your enjoyment of owning a business to a new place of happiness. So, thanks for reading and I hope you’ll look for this column in the next issue. That’s when the real fun begins.</p>
<p><em>Paul Cascio is director and lead instructor of The American Picture Framing Academy at pictureframingschool.com.</em></p>
<p>The post <a href="https://dev.artbusinessnews.com/2014/07/the-guerrilla-framer/">The Guerrilla Framer</a> appeared first on <a href="https://dev.artbusinessnews.com">Art Business News</a>.</p>
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