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Urevbu is a contemporary gallery owner, painter, and published writer. While the Urevbu Contemporary Gallery in Memphis’ South Main Arts District showcases a dynamic collection of artists from Africa and the African diaspora, their Artexpo Dallas booth will focus on Ephraim Urevbu’s work.

Art served as a bridge from his past in Nigeria to his present in Memphis – the poverty and seemingly impossible cultural and familial barriers to a career in art, the hardened realities of Black life in America, the challenges of racism, and the private battle against cancer – gifting him with a unique and compassionate voice.

Urevbu is best known for his large-scale abstract expressionist paintings distinguished by his presentation of bold acrylics and heavy pallet knife technique. He is currently busy in his studio working on a new body of work that explores important social and political themes such as morality, truth, race, equal rights and social justice, largely within the context of his personal experiences and American history.

He will be showcasing his Naked Truth Project at Artexpo Dallas this year. “The Naked Truth Project started with a conversation that lead to a meeting, that inspired a dialogue. Our generation has been exposed to atrocities of war, racial strife, economic inequity. We have also witnessed movements, legislation, court rulings and civil expression that focus our attention on a world we live in and what we want it to be. The result is the naked truth project.”

The paintings presented in the exhibition for The Naked Truth, were never intended to comfort and soothe the viewer, it is the intention of these paintings to “grab you in a headlock, rough up your composure, and then proceed in short order to rearrange your sense of reality.”

“In their creation, each painting seemed to take on a life of its own, transforming me as both artist and as observer of the long history and current events surrounding justice and equality. Rearranging my own sense of reality.”

Ephraim Urevbu, Urevbu Collection will be exhibiting at Artexpo Dallas September 16-18 at Booth 116. Tickets are available here.

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Q: Introduce yourself – who are you and what do you do?

A: I go by the name Kai and I’m an international artist who loves working with different mediums that raise awareness and express certain viewpoints and social commentaries that tie us all together as human beings.

Q: What is your background?

A: I was born and raised in Los Angeles and my parents were both of diverse backgrounds, which helped me appreciate different cultures and art from an early age. By my mid-teens, the concrete streets of LA became my canvas for creating various street art, graffiti, and murals. I was fortunate enough to study at the California Institute of the Arts and the prestigious L’Ecole des Beaux-Arts in Paris.

Q: How do you work?

A: While I love to collaborate on a piece of art, I prefer to work solo – with a high degree of concentration that helps me convey not just how the artwork will appear, but also how it communicates a meaningful message. When it comes to creating work, I first sketch it out, then create it digitally to clean up the fine lines. This then allows me to figure out which medium is the most preferable to create my message through – paint, concrete works, sculptures, or even tabletop sculptures. Early on in my work, I developed a signature character named “IF,” which is short for “Imaginary Friend.” This recurring character is a central component to much of my recent work, but IF bears no distinguishable physical, gender, or race-related traits. I created this androgynous character so that anyone can relate to it without applying stereotypical or cultural bias. IF has become a prevalent part of my sculpture and paint work, signifying messages that are ingrained in the design itself. IF is simply there to help convey the many universal themes that bind us together as a society.

Q: What art do you most identify with?

A: Expressing my message through street art has remained a form that I readily identify with. Later, I began to work with concrete and cement, which I work with for many of my original sculptures. In a way, I’ve come full circle from my days creating original art on the streets of Los Angeles to the cement and concrete I now fashion into sculptures.

Q: What has been your favorite experience so far, as an artist?

A: It would be very hard for me to share just one favorite experience but recently, I had the opportunity to work with Odell Beckham, Jr., a professional athlete who plays football for the Los Angeles Rams NFL team. He was expecting the birth of his first child and commissioned an original cement and bronze sculpture to celebrate what it meant to him to become a father for the first time. The piece is entitled, ‘Endless Possibilities’ and depicts my IF character, on a bended knee, presenting a globe of the world to a small child. Beckham was very moved by the piece, which he felt communicates the love and endless possibilities that a parent has to offer his or her child. Last year during Miami Art Week, he joined me in person at the Wynwood Walls Urban Graffiti Museum for the unveiling. It was truly a special moment, and this experience was definitely one of my favorite experiences as an artist.

Who inspires you?

A: People inspire me. Not necessarily on the individual level, but as a collective global and cultural society. Listening to people speak also really inspires me. Hearing people’s stories, how their day was, listening to the news, music, television. Sometimes what isn’t said is more important than what has been said. I try to use my artwork to communicate the different universal themes that bind us all together. We have more than enough issues that divide and separate us, but I prefer a more idealistic viewpoint. I want to see the good in people – the love, time, caring, success, and similarities that all human beings are capable of sharing with one another.

Q: What is the best advice you have received?

A: I think the best advice anyone can receive is the kind you’re willing to listen to and take to heart. I was raised to believe that nothing is impossible and that you can’t let the world tell you no. Believing in yourself is a real commodity – one that I wish more people would realize.

Q: When you are not working, where can we find you?

A: Well, I am a bit of a workaholic and I love to get into whatever I’m creating at the moment. Keeping busy with developing new collections, planning new exhibitions, and creating original pieces is what keeps me going. But, when I do take breaks, I love to take my dog for walks outside. I’ve also spent a lot more time in nature, allowing me to clear my head and create space for new ideas. I also enjoy cooking. It’s a different type of art.

Q: How has your career as an artist shifted during the past few years?

A: Since I began working with Bernard at Markowicz Fine Art, I’ve had a lot on my schedule and, for an artist, that’s definitely a good thing. I’m enjoying the subtle activist nature of the themes I’ve been creating lately. We put a lot of work into my solo shows at CONTEXT Art Miami late last year. I debuted a brand-new collection of paintings and sculptures with the theme, “Before It’s Too Late.” This exhibition had a specific message for society as a whole – bringing attention to the fragile environmental state of the world we live in. “Before It’s Too Late” is a cautionary tale, demonstrating that we don’t have an unlimited amount of time to address the sustainability of the planet. Going forward, I hope to spread this message and subsequent activism on more of a global scale.

You can find Kai on Instagram to stay up-to-date on his latest projects.

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John Dowling will be showing several pieces from his “A Miracle In The Making” collection, including two large 60” x 78” abstract pieces surface mounted on acrylic. His digital paintings are best observed in larger sizes, although the smaller formats are also exceptionally striking. However to truly understand Dowling’s vision he prefers to share them in the larger formats. Another interesting facet of Dowling’s vision is that the pieces are meant to be viewed both as individual works and also as montages of dozens, hundreds, even thousands of works that then form a distinctly new image. When complete, they can measure hundreds of feet in length and width for use in large arenas, atriums, and permanent grande installations.

Dowling’s odyssey began in the ’80s. While recovering from a devastating illness he spent time painting his photos on his laptop as art therapy. Dowling was and is a preeminent photojournalist and fine art photographer and has photographed countless celebrities, models, politicians, executives, wildlife, landscapes and nature, high-profile events, and life in general. Often Dowling would walk daily marathons to grow new arteries as he was born with a genetic mutation in his liver that destroys them. He is lucky to be alive and looking forward after 30 years of fighting the effects of this mutation to the cure that was just announced and will be available sometime in the next year.

During his days working with film and in traditional darkrooms Dowling experimented obsessively with multiple exposure photography and montages. Years later while recovering from those grueling marathons and surgeries Dowling began to photo-retouch old photographs from his family albums and friends’ ancestry photos that were ripped and torn. Later he would superimpose many digital images taking the most attractive portion of each shot to create a master print comprised of many photographs to create one world-class portrait. As Dowling’s retouching and compositing became more and more elaborate he started to paint his photographs with abstract textures and combine images to create illusions.

What makes Dowling’s work so unique is his extensive use of layers that cause each viewer to have different perceptions of what they see. A unique technique of leading the viewer to have false affirmations of what they see, as well as challenging the human conscious mind to see what actually exists. The actual term for this psychological effect is scotomization. Dowling relies heavily on this illusionistic technique and has taken it to a level rarely if ever seen in the art industry both historically and presently. These shapes, patterns, and illusions often lead to the viewer working to find the objects in his pieces and to moments where the observer has a “eureka moment” or epiphany.

Today, collectors are retaining Dowling to create and curate leased pieces to form galleries in their homes and offices that can change seasonally, or permanently for those who invest in Dowling’s art. In the early days Dowling’s museum-quality prints sold for a few thousand dollars, however, within a year, offers on Dowling’s abstract pieces increased to well over $5000 on editions of 100. Now Dowling is receiving offers for well over $7500. Larger 1 of 1 editions is selling for over $150,000. In addition, each piece in his collection has a master NFT that is valued at between $150,000 and $349,000. There are 218 individual works of art in Dowling’s “A Miracle In The Making” fine art collection, his first collection to be released since the ’80s. He is already receiving offers on the entire collection which includes reproduction rights. Dowling will retain author rights.

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“End to End, E2E is a Graffiti & Street Art term that refers to a huge graffiti piece that covers a wall from one end to the other. On a subway train, it refers to a piece that covers the entire train, end to end.” Says Jeremiah Heller, art curator at End to End Gallery.

“This lexicon has been the inspiration behind our brand and our monthly exhibits in our Downtown Hollywood Showroom in Conjunction with the Downtown Hollywood Art Walk where we have curated an End to End space featuring a curated collection of Modern & Urban Contemporary Art from my personal collection that truly embodies the meaning of the term and creates a unique viewing experience. Placing works from our personal collection allows the works to be viewed publicly and allows us to educate and share our passion for the works within the collection.”

End to End Gallery will be located at Booth #104 at Artexpo New York 2022. Check out some of the pieces that will be featured below!

A Curated Selection of Originals, Limited Editions and Sculptures from the leading Modern Contemporary Artists in the world including Kaws, Jordy Kerwick, David Shirgley, Ryan Travis Christian, Derek Alyward, Javier Calleja, Baldur Heglason, Michal Kagen, Roby Dwi Antono, Giorgiko, Erik Parker, Joakim Ojanen, Cesar Piette, Kai, And Yoshitomo Nara.

A Curated Selection of the Leading Museum Inducted Black Artists from our personal collection of Originals, Limited Editions and Sculptures. Work by Hebru Brantley, Kayla Mahaffey, Max Samsing, Dovie Golden, Marcus Brutus, Marcus Leslie Singleton, Jammie Holmes, and James Kerry Marshall. 

Brian Calvin’s highly stylized portraits feature flattened planes of saturated color and evoke elements of Surrealism, Pop art, and Cubism. The artist often paints his predominantly female subjects in extreme close-up. A single face can comprise disparate skin tones and different colored eyes. It can be difficult to decipher whether Calvin’s compositions feature one face or two, and his group scenes often merge characters’ faces and limbs. Beneath Calvin’s bold, sunny hues lie serious conceptual concerns and an engagement with abstract principles. The artist received his MFA from the School of the Art Institute of Chicago in 1994. He has since exhibited in New York, Los Angeles, London, Paris, Milan, and Tokyo, among other cities. His work belongs in the collections of the Los Angeles County Museum of Art, the Portland Museum of Art, and the DePaul Art Museum. Calvin has also painted landscapes and interiors inspired by his California roots.

Originals, Editions, and Sculptures will be on Display

Artexpo New York will be held at Pier 36 April 7-10, 2022. Tickets are available here.

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Will Schmahl’s abstract work has a recognizable style and leaves viewers with a sense of feeling whether it’s a burst of energy, a memory, an experience, or a person. Will is self-taught and was guided through independent teachings from several international artists. He attributes his success to his teacher, Adele Sypesteyn, who encouraged him to push through his limits of creativity.

Schmahl has been working with interior designers on custom commissions, designing skateboard, and working on his life through his art as his own personal therapy. He currently lives in Philadelphia and works out of his studio in Old City.

“I believe in using art to help tell a story, process our emotions, provide therapy to one’s soul, and to reflect what one loves at that moment. The thing that fascinates me most about art is the way our magical brains can pull forward a flood of memories and emotions after seeing something for less than a second. We see and, in an instant, are transported to a time or experience. I’ve been an abstract painter for a few years now first starting out with Resin and ink, now working with Acrylics. Abstract is my greatest form of expression, it’s like speaking without having to use words. The layers within each painting are what I love the most creating and exploring to show depth. I paint very expressive abstracts, letting my emotions be the guide. I like to work fast when I paint as it really allows me to focus on the emotional vibe and the mood I like to evoke or the story I’d like to tell.”

Don’t miss Will Schmahl at Artexpo New York April 7-1o at Pier 36.

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Artexpo New York 2021, taking place October 28-31, will feature hundreds of talented artists and galleries from around the world. The event, held at Pier 36, is bringing back its popular Spotlight Artist program this year, awarding six cutting-edge artists for their skills and achievements.

Art Business News is featuring each Spotlight Artist leading up to the fair, starting with an artist ABN readers are already well acquainted with, Tom Lohner.

This Spotlight Artist is currently exhibiting a specially created piece at the World’s Fair in Dubai, which premiered on October 1st. Among these great achievements, Lohner recently showcased his work as a solo exhibition at the Museum of Modern and Contemporary Art in Vienna and was also made an art ambassador, collaborating with Dan Aykroyd’s brand Crystal Head Vodka. He is currently working on another piece for Sting’s wine labels.

At this year’s Artexpo New York, Lohner’s booth will give a powerful and quick insight into the world of Tom Lohner. He will show a mix of hand-painted multiples including rock stars and pop artists as well as three small original paintings reflecting a personal interpretation of today’s fashion world.

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Each year Artexpo New York offers special programs ranging from immersive artist-led experiences to compelling seminars and today’s most pressing industry challenges and trends. Their three main programs include Art Labs, the Spotlight Program, and Topics & Trends.

The fair, taking place October 28-31, champions the power of the arts to start conversations and bring people and art together.  Check out this year’s Spotlight Program recipients below!

Eric Jensen

Utah native, Erik Jensen was born deaf and considered art to be his first language. Jensen lives by his motto: “People will tell you that you are a crazy dreamer because they don’t believe in you. But crazy dreamers believe in themselves and prove they are not crazy dreamers by making it happen. So be a crazy dreamer and make it happen.” Jensen creates images using recycled keyboards. His work has been shown at numerous fairs and conferences. 

Booth RA-9

Caroline Bergeron – Aro Artiste 

Michele Riche

The main subjects of Michele’s paintings are primarily women because that is who she best relates to. The women in her pieces represent strength and confidence. Michele’s paintings have a sense of mystery and longing yet draw you in and leaves you with a feeling of curiosity.

Booth S704

James Venuti –  VENUTI PHOTOGRAPHY

James Venuti is a photographer and woodworker based in New York City specializing in architectural and cityscape photography. Taking advantage of his talent in woodworking, he began carving custom frames for his photographs, creating one-of-a-kind works of art.

Booth S701

Tom Lohner

Tom Lohner, an energetic and award-winning Austrian artist and rising star in the art world is famous for his imaginative depiction of pop culture, believes that the single most important ingredient in any artistic process is passion.

Booth S301

Jay Chung

Jay Chung came to America and received his M.A.’s in Communication Design and Computer Graphic from the Pratt Institute in 1984 and 1995, respectively. He has exhibited at the Myungdong Int’l Art Festival in Seoul, Korea, and had a solo exhibition at the Art Expo New York in 2019. He also exhibited at the Galleria Larkina in Venice, Italy, and the Riverside Gallery. “I especially feel like we need to recharge after long painful monotonous life we have been suffering through over 1 and a half years due to pandemic. I have been trying to relay the message of encouragement in vitality, ‘Recharge Life’ using bright and bold colors.”

Booth S308

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Let’s see why technology will save art and what’s important for the success of a contemporary artist.

AI That Creates Art

The very use of AI adds to the mystique of works of art. The use of machine learning often produces unexpected results that cannot be explained and that humans would be unlikely to have thought of. Such art transcends human cultural patterns, so it has the power to surprise. Perhaps this is why Ahmed Elgamal, director of the Art and Artificial Intelligence Laboratory at Rutgers University, believes that the future lies in human-machine collaboration.

AI has long mediated the creation of art. For example, here’s a tweet created by Neural Machine’s Translation Project, which has been around since 2017:

“The artist’s job is to start the process of restoring rainbows.” (Neural Machine @neural_machine, March 31, 2020)

A special topic is neural network-based services that help anyone create artwork in seconds. In 2016, we saw the rise of the Prisma app, which allows you to transfer the styles of famous artists into photos. And in 2019, the FaceApp app, which everyone remembers for its photo-aging feature, became virally popular.

There are more serious examples. In 2018, the Edmond de Belamy painting, shown above, sold at a Christie’s auction for $432,000 and was created with the help of a neural network. In doing so, the creative team at Obvious, which presented this work to the world, used free code from GitHub.

Therefore, the ability to code (even at a basic level) in combination with out-of-the-box thinking greatly expands the opportunities for creativity. The future is for creative programmers who can develop not only code, but also an original idea.

The Line Between Science and Art

The deeper an artist understands human physiology and psychology, the more interesting effects he can create. The knowledge of neurobiology and technical savvy allows one to create truly amazing projects.

What about visualizing abstract concepts like freedom, power, love, or money by interpreting human brain waves? The Value of Value project, which belongs to the neuro-design genre on the blockchain, allows us not only to see these concepts but also to assign a value to each and then to share the unique 3D models created.

The combination of science and art allows the average viewer to join the comprehension of the mysteries of the universe. For example, the NanoArt21 project uses electron microscopes to create Nano pictures and Nano sculptures from atoms and molecules.

A striking example is the Nano sculpture, created by Romanian scientist and artist Chris Orfescu. He combined graphite micro-and nanoparticles, which are about a hundred thousand times smaller than the thickness of a human hair, and visualized the work with a scanning electron microscope. And, most importantly, he added conceptuality and emotion to the result of his work, which made it possible to turn boring science into art interesting for the masses.

What Qualities Art Important to a Contemporary Artist?

To surprise a typical modern art consumer, there are three most important qualities for an artist:

• A minimum of technical knowledge. In today’s digital world it’s very hard to be without it.
• The ability to think dialectically. It means to discover concepts (not necessarily the opposite) and combine them into something new. It sounds confusing, but it’s actually easy to understand. You can take sound and taste as thesis and antithesis, and then synthesize them in a creative project; which, for example, transforms a person’s brainwaves into music as he tastes different foods. Or you could create a music video or a photo project based on different people’s associations of sounds with food, depending on your skills and imagination.
• Understanding the structure of the world. Surprise is always a consequence of breaking the usual course of things. And to disrupt something, you need a good understanding of the rules — how everything works. For example, knowing popular optical illusions, an artist can create an engaging scenario in VR. And then break the usual course of things, causing cognitive dissonance and showing the vulnerable places of human perception of the world.

In general, the artist of today must become a professional in the field of breaking patterns, knowing a lot about the world order, and touching the edge of the unknowable, an area where there are still no clear answers. Art is becoming increasingly interdisciplinary, and the artist is increasingly a programmer, a philosopher, and a scientist.

Author’s bio: Jean Hartley is a professional writer for essay writing service. For 6 years now, she has been helping students learn to write correctly and also assists in preparing for exams.

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Q: Introduce yourself – who are you and what do you do?

A: My name is Rachel Tribble. I’m a painter, I primarily working in oil and watercolor. Occasionally I make other things: 3D objects and gilded works.

Q: What is your background?

A: I grew up in New York and studied fine art at Syracuse University and The National Academy in New York City. I also studied jewelry design. The painting of gemstones is where I really learned color and how to paint light and dimension. In the 1990s I did a lot of performance work and multi-media installation work, a little in New York, but primarily in nightclubs in Minneapolis, where I lived for 9 years. I have always been environmentally aware and the majority of my performance and installation work focused on the esoteric and social consequences of the human disconnection from the Earth. Those works lead me to be invited into the Native American community in and around Minneapolis. I took a few years off from the artwork as I learned from the people and worked for a company partnering with Tribal communities. During that time I began a series of paintings that were entirely elemental and inspired by the Ojibwe traditional beadwork. In 2007 I showed them for the first time. The work attracted the attention of Disney and I was invited to create a poster for the Epcot Flower and Garden Festival at Walt Disney World. The poster won an award for Disney and started what is now over a decade of collaborations with the company and showings at Epcot. I have done other commercial work and I regularly work with private collectors, galleries and sell online.

Q: What art do you most identify with?

A: That’s a really hard question. I love art, of all kinds. But I think it’s the silence of Rothko’s color fields and the solitude of Robert Kipniss that touch my spirit. But equally, I relate to the deliberate and beautiful chaos of Lance Letscher and Jackson Pollack.

Q: How Do You Work?

A: The paintings usually come in dreams or spurts of imagery in my mind like I’m watching a film. There is a knowing that I need to get this down before it disappears so I’ll just sketch it out on a sticky note, anything really, just to get it out of my head. Then I start with a watercolor study and work it out there, on paper before committing to canvas. But equally, I just go for it and commit to canvas without even making a sketch; especially if I understand the size of the work and the texture of the image I’m seeing. If it’s clear that the thing is oil and not work on paper, and there’s no need for me to work it out ahead of the canvas. At the point where I begin, it’s not just the image I explore. There always seems to be a tonal frequency and a singular point that the painting emerges from. I’ll spend time finding that sound meditation and the point to start. When the work begins it is layers of color on top of the texture, I cant even say I am fully conscious of what I’m doing, it just begins to work itself out. I love to paint in the dark, with all the overhead lights off and only one or two of my studio lamps on in the background, just enough light to show me the canvas. So many times I will be working and the sun will disappear into evening and night, and I don’t realize I’m in the dark. I love when that happens. The work is always emotional and often three or four of eight or more paintings will come all at once. It’s like an explosion of imagery and paint and it’s hard when that happens. I never want to leave the studio when I’m painting like that and it becomes hard to hold the balance of everyday life and being in the world of the painting. I’ve been known to sleep near the paintings just to understand and see them.

Q: What has been your favorite experience so far as an artist?

A: Receiving emails from people who live with my work or have recently found it. Telling me how a painting helped them through a really hard time in life or crisis. Especially during the quarantine, when some prints sold and I found out they were being purchased for the nurse’s break room in a hospital that was overwhelmed with COVID patients. And emails from an emergency room nurse in New York City and a hospital administrator in Michigan, both of whom were struggling with what was happening and found my work online. A similar type of thing happened in 2008 during the economic crisis. It’s incredibly humbling and makes me realize that what I do is not just me working, it is in service to others.

Q: Who inspires you?

A: My sons. Also my dear friend and watercolorist, Coco Connelly, and environmental activist, Joni Tobacco. I also follow Doctor Elvis Francois on Instagram.

Q: What is the best advice you have received?

A: Don’t give up.

Q: How Has Your Career As An Artist Shifted in the Past Year?

A: This is a huge question. Like everyone I had to find a way to sell, I was already working towards being online, so I just focused there. I struggle with social media and all that goes with it. It’s completely opposite of my personality and I realized I had to find a balance with what it meant to be online and if I was going to continue to sell, what would I focus on? I began to expand into different areas, trying out different platforms and ways of selling. What was nice is that my collectors and some people who just followed me but had never actually purchased a painting started to buy. As people moved and redecorated… I sold a lot of work. I started thinking I’d just paint right through the quarantine but then the fear and overwhelm of what was happening in the world started to show itself. I didn’t know what I was painting anymore, nothing made sense to me. And then my teenage son started to crash into a significant depression. I was terrified of what was happening to him. I didn’t go into the studio at all. I was working in my kitchen and the paintings became small. I went from medium and large-scale canvases to small watercolor paintings and then even smaller, miniature paintings that fit into a matchbox. I’ve always been a color-oriented painter, but the color started to disappear. Grey, silver, black, and white replaced the monochromatic expressions of jewel-tone color I had always been slightly obsessed with. Then the work went white and silver. Silent. Not quiet, just silent. I think that’s partially what I’m dealing with right now. I think I’m still working out of that complete state of overwhelm and panic. Feeling like static on a television screen. I’m back in the studio and doing some larger canvases again. I’m finding hints of color and dimension in ways I never knew I could find them before. The biggest change is that I started doing some figurative work along with the elemental. Silent spirits and protector beings emerging from the light. I’m not ready to fully show those paintings yet. But probably soon.

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