Such losses can hurt financially. But for many collectors, artwork can have sentimental value, an important piece of cultural heritage and a legacy to share with future generations. That’s why it’s important for all art enthusiasts to protect their works by caring for them properly, minimizing the risk of damage and having the right insurance in place for worst-case scenarios.

SAFEGUARDING YOUR COLLECTION EVERY STEP OF THE WAY

Collectors can’t always prevent accidents, but making smart decisions along the way can reduce the chances that damage occurs. Here’s how collectors can protect their cherished works throughout the collecting lifecycle — from acquisition to legacy planning.

Acquisition

You can take precautions even before you’ve purchased a work. Ensure that you’re buying pieces from a reputable source, such as established auction houses or galleries that show at well-known art fairs. It’s much riskier to buy from private dealers you don’t know much about. If you’re new to the space, an art advisor can help guide you through the process. Before making an acquisition, consider hiring a conservator who can evaluate the piece’s condition and note any prior damage or restoration, as well as any special display conditions it would require. Ask for all provenance documentation, which is a work’s ownership history. This will include where works would have been bought and sold. Having the right documents is key to avoiding questions about authenticity or rightful ownership, which can expose you to lawsuits, undermine a piece’s resale value or make it tough to get insurance.

Transit and Installation

Most damage to art occurs in transit. If pieces are packed or shipped improperly, the results can be catastrophic. When moving art, work only with professional fine art handlers accustomed to dealing with high-value and fragile pieces. Engaging specialists is equally important when installing your pieces — don’t leave it to a handyman! Experts know which hardware is appropriate based on the item and your location. For example, those in areas prone to seismic activity should use special installation hooks to provide an extra level of protection. Also, consider where you’re displaying works to make them less vulnerable. Avoid hanging pieces over an active fireplace, in direct sunlight, or in high-traffic areas, such as stairwells or outside a child’s bedroom.

Display and Storage

Water damage is another major source of loss for art collectors, whether due to a natural disaster, a burst pipe, or even a leaky sink in the residence two floors above you. Fires, excessive sun exposure, fluctuating humidity, and power outages can also threaten collections. To mitigate these risks, employ environmental controls that keep temperatures and humidity stable and minimize UV exposure (insurance typically doesn’t cover light damage). Install smoke detectors throughout the home that automatically notify a third party if activated. Backup generators can keep climate control and alarm systems functional if the power goes out. Create an emergency preparedness plan that lays out procedures for evacuating artwork and includes emergency contacts, such as art handlers and conservators. If you keep works offsite, rely on dedicated fine art storage warehouses rather than general facilities, and opt for a private unit when storing high-value or high-volume collections to reduce the chance of accidents. Check that the facility uses the same precautions you’d have at home, such as multilayer security, climate controls, and a disaster plan.

Of course, valuable works are also at risk of theft. Install multi-layered security systems that include a perimeter alarm system, interior motion sensors, glass break sensors, and 24/7 alarms for individual works. Strong inventory controls are also key for noticing and remediating losses, especially for collections that include many pieces across multiple locations. An old-fashioned spreadsheet does the trick, but digital management collection platforms make inventory management even easier: You can upload relevant information, including invoices, artist fact sheets, appraisals, condition reports, and images of works; pinpoint the location of works down to the room; and generate reports to see where everything is housed. Some owners also use radio-frequency identification tags on valuable pieces, but those only work within a single location.

Insurance

Whether they cover every piece or only those valued over a certain threshold, serious collectors need insurance. Coverage under a typical homeowners policy is usually not robust enough to protect fine art collections because it offers limited coverage, often excludes flooding and breakage of fragile items, typically has a deductible, and may only cover works located in a primary residence. Instead, choose a valuable articles policy with broad worldwide coverage, which protects works whether they’re at home, in transit or in storage. Make sure the policy includes no deductible for most causes of loss. The best options offer extra protections, such as automatic coverage for newly acquired works or automatic coverage extensions to provide a cushion if market value spikes. Work with a broker who can help you find a trusted insurer that specializes in the fine art space.

Lending and Consigning

Many collectors loan their works to museums or other institutions, a benevolent gesture that adds unique risks. Before handing off your pieces, sign a written loan agreement with the borrower outlining how the work will be packed and shipped and whose insurance will cover it at each juncture. Borrowing institutions often insure works from the moment they leave the owner’s wall to the moment they return, but make sure the borrower has an appropriate all-risk policy and consider leaving your own insurance in force as a backup. Make sure a professional art handler will ship and install the works, and request condition reports before a work is packed, once it’s uncrated and before it’s returned. If the piece will be exhibited publicly, ask the institution whether it will offer a security guard, glass case, glazing or other measures to protect the item.

Ongoing Maintenance

Once you have proper measures in place, you still need to manage your collection consistently. Make sure you know how to properly clean and maintain each piece and do so regularly. Engage conservators at least annually to evaluate the condition of works and treat pieces if needed, especially for outdoor sculptures. Check or replace installation hardware at least every decade, as picture wires and hooks can weaken over time. Keep your inventory system current, updating the location and current value of works. On the financial side, get your collection reappraised every three to five years, or every one to three years for volatile market segments like post-war and contemporary art. Update your insurance policy with current appraisals to make sure you’re not underinsured if something happens.

Legacy Planning

When it comes to passing on your collection, communication, and planning ahead are key. Don’t assume your heirs want all your pieces or would treat them as you do. Ask them about their interest and plans and evaluate whether they have the maturity and living conditions to properly care for your art. Get key documents in place, especially provenance paperwork for older pieces, to pass on with the collection. Make sure your heirs know how to properly ship, install and maintain the works, and share contacts for experts you trust. And let heirs know they will need to get pieces reappraised and take out their own valuable articles policy once the collection is theirs. If you plan to donate to an existing museum or foundation, confirm they will accept the item and the terms of the donation, including when they will take over insurance for your artwork.

Preserving Your Legacy

 Safeguarding a valuable art collection requires a proactive approach at every stage of the process — starting even before you’ve made a purchase. Doing your due diligence, properly transporting and caring for works, and tailoring insurance coverage to the unique needs of art collections can help minimize the chances of loss and protect you if the unavoidable happens. Taking the right steps can help you maximize the longevity of your pieces and preserve them for generations to come.

Author’s Bio:

As Senior Vice President, Fine Art & Valuable Collections Manager, at Chubb, Laura Doyle leads underwriting and growth strategies. She advises private collectors and family offices on unique risks including museum loans, consignments, private museum programs, art as collateral, and international transit and storage. Chubb is the world’s largest publicly traded property and casualty insurer. With operations in 54 countries, Chubb provides commercial and personal property and casualty insurance, personal accident and supplemental health insurance, reinsurance and life insurance to a diverse group of clients.

The post Artful Ownership: How to Protect Your Collection for Posterity appeared first on Art Business News.

No. 1 Planning is Key

One of the first things art dealers should know when moving to a new space is that planning is crucial. Before even packing the first piece, you must clearly understand your new space’s dimensions and layout. Drafting a detailed floor plan, factoring in where each piece of art will reside, is invaluable. For instance, larger installations might demand strategic placements, while smaller pieces can be more flexibly accommodated. Factoring in visitor movement is equally essential. Are there pieces that you want every visitor to notice immediately? Or specific routes you want them to take? All this takes forethought.

No. 2 Insurance, Insurance, Insurance!

When relocating an art gallery, standard property insurance doesn’t cut it. The unique nature of artworks requires a specialized policy, notably fine art moving insurance. This kind of coverage, often encompassing transit insurance, guarantees protection against potential damages or losses during the move. Moreover, once the art pieces settle into their new home, having comprehensive art insurance is non-negotiable. Consider, for instance, the immense historical and monetary value of a 16th-century Renaissance artwork. Your insurance policy must be tailored to address every possible risk scenario associated with such priceless pieces.

No. 3 The Right Movers

Let’s draw a parallel. Imagine you have a cherished family heirloom, perhaps a century-old necklace passed down through generations. Would you hand it over to a stranger without a second thought? Similarly, when it comes to moving artworks, you wouldn’t trust them with just any moving company. While general movers are adept at relocating everyday items like couches or refrigerators, art pieces are a different ballgame altogether. They are not just ‘items’ but embodiments of culture, history, and emotion.

Different artworks have varied requirements. A fragile sculpture, for example, can be vastly different from a delicate canvas in terms of its moving needs. That is where art-specific movers come into play. These professionals undergo specialized training that equips them to handle a diverse range of art forms. They understand the intricacies of packing, transporting, and setting up artwork to ensure their safety.

Furthermore, one significant advantage of hiring such experts is the custom crating solutions they offer. Instead of generic boxes, they provide bespoke crates tailored to each artwork’s dimensions and vulnerabilities. Whether you’re moving a colossal sculpture or a petite porcelain piece, these custom crates are designed to hold the artwork snugly, preventing any movement that might cause damage.

No. 4 Climate Considerations

Art, unlike inanimate objects, is sensitive to its surroundings. Just as a plant might wilt in extreme heat, artworks too can suffer in adverse environments. Temperature swings and changes in humidity levels are more than just minor inconveniences for art; they can lead to irreversible damage. Paintings may fade, canvas might stretch or shrink, and sculptures could distort. Thus, when relocating art, the primary concern isn’t merely moving from Point A to Point B. It’s about ensuring that the entire journey and the destination provide a stable environment for the artwork.

Given these concerns, you should consider investing in climate-controlled vans that maintain consistent temperature and humidity. For instance, an oil painting, with its layers of paint and varnish, can become damaged in a humid environment, leading to issues like mold or the paint lifting off the canvas. Similarly, a wooden sculpture exposed to rapidly changing temperatures might crack or warp. By acknowledging the delicate nature of art and its interaction with the environment, one can take informed steps to protect and preserve it during relocation.

No. 5 Upgraded Security Systems

Beyond the art’s intrinsic value, galleries often become targets for theft. In your new space, re-evaluate your security measures. Are there blind spots that need surveillance? Could a more advanced alarm system be integrated? You should think about digital security, like surveillance cameras, and physical barriers, like reinforced entry points or security personnel.

No. 6 Storage Solutions

While a gallery displays art, not every piece might always be on show. The new space should have provisions for safe storage. Think beyond mere square footage. Is the storage climate-controlled? How easy is it to access frequently rotated pieces? And remember, as collections grow, so should storage capabilities.

No. 7 Lighting Matters

Lighting isn’t just about visibility. It shapes perceptions, moods, and engagement. For example, a Baroque painting, with its intricate details and deep shadows, demands different lighting than a minimalist modern sculpture. Therefore, your new gallery will require diverse lighting solutions, from spotlights to ambient lights. Consulting a lighting expert can make a world of difference, ensuring each piece is viewed in its intended glory.

No. 8 Engaging the Local Art Community

A relocation isn’t just physical; it’s also about re-establishing connections. So, dive into the local art scene. Engage with local artists, critics, and enthusiasts. For instance, an inaugural event or open house can be a golden opportunity to introduce yourself, display your collection, and establish connections.

No. 9 Digital Updates

In our digital age, a gallery’s online presence is not just a modern convenience but a cornerstone for the future of the art world. Therefore, you must update your gallery’s address across all digital platforms, from your official website to social media pages. Moreover, consider introducing your new space with virtual tours to make a mark and engage with contemporary audiences. This immersive experience provides potential visitors with a captivating glimpse of what awaits them in your gallery.

No. 10 Feedback Loop

Every change offers a learning curve. After your move, actively seek feedback. How do regular visitors feel about the new setup? Is there something they miss from the old space? Such feedback can be a goldmine for improvements.

What Art Dealers Should Know When Moving to a New Space: The Bigger Picture

Moving a gallery isn’t merely about physical relocation. It’s about ensuring art remains preserved, showcased beautifully, and accessible. It’s a dance between logistics and aesthetics, practicality and passion. Therefore, as you embrace this exciting new chapter, remember everything art dealers should know when moving to a new space. Here’s to new beginnings, flourishing in your new environment, and continuing the ever-evolving journey of showcasing magnificent art.

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Author bio:

Catherine C. White works as a content writer for Family Affair Moving Orange County. With a deep-rooted passion for art, Catherine expertly melds her professional knowledge with her love for the artistic realm, offering readers invaluable insights and perspectives.

The post Gallery Relocation Guide: What Art Dealers Should Know When Moving to a New Space appeared first on Art Business News.

The History of Artists Changing Scenery

Throughout the rich tapestry of art history, the allure of new horizons has been a siren call for creators to pursue deeper inspiration and novel perspectives. Iconic figures like Van Gogh, who ventured from the cool terrains of the Netherlands to the sun-drenched landscapes of southern France, experienced discernible transformations in their artistic outputs post-move.

When one dedicates time to studying the history of art, this trend becomes unmistakably evident: shifts in location have often led to pivotal changes in techniques, color palettes, thematic focuses, and even emotional depth.

Moreover, the newfound exposure to contrasting cultures, environments, and aesthetic traditions broadened their worldviews and left indelible marks on their masterpieces. Beyond mere anecdotes, these historical instances offer powerful insights, revealing how changing locations can reshape and rejuvenate an artist’s creative process.

How Changing Locations Can Influence Your Creative Process

At the intersection of geography and imagination, many factors explain how changing locations can influence your creative process. Venturing into a new environment acts as a catalyst, stoking the fires of creativity by presenting a fresh tableau of sights, sounds, and experiences. The psychological impact of such a change cannot be understated. Immersing oneself in a different culture or landscape exposes an artist to novel aesthetics, traditions, and perspectives.

That broadens the horizons of inspiration and challenges the artist to experiment and adapt. As a result, their artwork may take on new themes, utilize diverse techniques, or evoke varied emotions.

Furthermore, the influence of the surrounding community, with its unique dynamics and conversations, often seeps into the artist’s work, making creation an ever-evolving journey. Hence, it becomes evident how changing locations can be a transformative tool in the artist’s arsenal.

The Practicalities: Making the Move

Embarking on a journey to a new location is not just a matter of packing brushes and canvases. The decision to relocate carries many artistic and logistical considerations that can deeply impact one’s creative journey.

Choosing Locations Aligned with Artistic Goals

The first step involves identifying destinations that resonate with your artistic vision. Whether it’s the bustling art scenes of cities like Paris or New York or the serene landscapes of Tuscany or Kyoto, the location should serve as a fertile ground for your creativity.

Considerations Beyond Art

Beyond the aesthetics, factors like the cost of living, proximity to cultural hubs, and accessibility to prominent galleries or exhibitions play a significant role. Finding a balance is crucial, ensuring the new place is inspiring and practical.

Networking in the New Location

Once the move is made, integrating into the local art scene is paramount. Attend exhibitions, join local art groups, or engage in community projects. These connections can lead to collaborations, exhibitions, and even sales. Building a strong network can also provide valuable insights into the local art market and opportunities therein.

While the allure of a new location can be enticing, the pragmatic decisions surrounding the move ensure a seamless transition and sustained artistic growth.

Embracing Change While Retaining Authenticity

The artistic journey is, at its heart, a continuum of evolution. Artists, like rivers, are shaped by the terrains they traverse, constantly reshaping while maintaining their essence. This balance becomes even more profound when considering how changing locations can influence your creative process. In this exploration, we delve deeper into the juxtaposition of embracing new surroundings while staying true to one’s artistic identity.

The Balance of New Influences

Every locale is a treasure trove of inspiration. Something always beckons an artist, whether it’s the vibrant color palettes of a tropical setting, the nuanced textures of an ancient city, or the rhythms of local folklore. While drinking from these wellsprings of inspiration is essential, artists should ensure that these new influences complement rather than dominate their original voice. It’s about creating a harmonious blend that adds depth and dimension to their work.

Continual Self-Reflection

The relationship an artist has with their work is deeply reflective. As they evolve, regular moments of reflection become critical. Evaluating their body of work, understanding the nuances introduced by new environments, and discerning the essence of their artistic voice are essential. This ongoing dialogue between the artist and their creations ensures they don’t stray too far from their foundational ethos while evolving.

Grounding in Artistic Roots

Every artist carries a unique signature, a DNA that permeates their creations. This signature must remain consistent as they move and absorb the world around them. Think of it as the base melody in a piece of music; while instruments and rhythms might change, the central tune remains recognizable. Revisiting old works, connecting with long-standing mentors, and occasionally stepping back to one’s original environment can act as reminders of these roots.

Artists face a beautiful challenge as they traverse the globe and let their surroundings mold them. The essence lies not just in recognizing how changing locations influence the creative process but in marrying this external evolution with the timeless authenticity of their inner voice, creating a symphony that resonates both novelty and truth.

Final Thoughts

Becoming an artist is as much about external exploration as internal reflection. From the rich annals of art history to modern-day wanderings, it’s evident how changing locations can influence your creative process. But, amid these shifts, the true essence of an artist remains unyielding. This harmonious blend of the old and the new, the familiar and the foreign, creates timeless masterpieces. So, for every artist aspiring to leave a mark, remember that every location is a chapter, but your authentic voice is the story.

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About the Author:

Miah Cunningham is a seasoned art enthusiast and writer passionate about exploring the nexus between environment and creativity. Currently associated with onlinemovers.miami, Miah’s experiences with relocation, and her keen understanding of art come together to provide unique insights. Through her writings, she aims to guide artists and art enthusiasts on the transformative journey of changing locations, shedding light on the intricate dance between new influences and authentic expression.

The post Artists On The Move: How Changing Locations Can Influence Your Creative Process appeared first on Art Business News.

Instagram is a great place to showcase your art gallery and make it stand out from the crowd. It provides a great opportunity to get your art gallery in front of a large audience and build an immense following. Let’s look at how to use Instagram to make your art gallery look special.

WHY USE INSTAGRAM FOR YOUR ART GALLERY?

Instagram provides a range of opportunities for art galleries:

• You can share photos of your art gallery and its artwork with the world.
• It helps to increase awareness of a specific location and attract new visitors to it.
• It enables you to establish relationships with potential leads and partners.
• By sharing photos of your artwork and behind-the-scenes footage of your gallery, you can create a connection with your audience that will encourage them to visit your gallery in person.

HOW TO MAKE YOUR ART GALLERY STAND OUT ON INSTAGRAM

To make your art gallery stand out on Instagram, you need to be creative and use the app’s features to your advantage. Here are a few tips:

1. USE A DISTINCT USERNAME AND PROFILE PICTURE

The first thing you should do when setting up your new account is to use a unique username and profile picture. It will help distinguish your account from others so that you can get the most out of our platform.

2. ADD A DESCRIPTION OF YOUR GALLERY AND ITS LOCATION

This information will allow people to see your physical address and where they can find you.

3. SHARE INTERESTING AND ENGAGING PICTURES OF YOUR ARTWORK

You have to be unique to stand out from the crowd. If you want to be successful at anything, you have to be different. When people look at your gallery’s artworks, they should reflect on them by feeling impressed or excited about what they are seeing. They should not think, “Oh, I have seen that before.” They should say, “I never thought I would see that again!”

4. DO NOT MAKE COMPARISONS TO OTHERS

It does not matter if someone else is doing something better than you. What matters is that you do something better than you did yesterday. There is no point in comparing yourself to other art galleries. Instead, focus on being the best location for visitors you can be.

5. USE HASHTAGS TO COVER WIDER AUDIENCE

A hashtag is a keyword or phrase preceded by the “#” symbol that is used in social media posts. Using hashtags will make your posts visible to those who are interested in topics similar to your posts. Your audience will no longer be limited to existing users. If you use the right hashtags, you can reach thousands of potential users, art fans, and even customers.

6. EXPLORE BEHIND THE SCENES

People love getting a peek behind the scenes. This is why reality TV is so popular, and Instagram is such a great platform for art galleries. So, how can you use Instagram to give your viewers a look at what goes on behind the scenes? Here are a few tips:

• Share photos of your artists at work.
• Showcase your art in progress.
• Go behind the scenes at art installations and events.
• Share snippets of your artists’ interviews.
• Post short videos of your artists talking about their work.

7. USE INSTAGRAM ADS

Instagram Ads can be effective for art galleries trying to reach a larger audience. By targeting a specific audience, you can make sure your ads are seen by people who are interested in your art space. When creating Instagram Ads, make sure they are visually appealing and interesting and are linked to your website, so that people can easily visit your website if they want to learn more about your artwork.

8. LEARN AND STRIVE TO IMPROVE

If your art gallery is not getting any better, then you are probably not working hard enough on it. Follow other popular art galleries on Instagram to keep up with the latest trends. Also, you should always learn how to better use technology to promote your art space. Keep pushing yourself because the only way to get better is to keep trying.

9. BE PATIENT

Patience is essential for successful art space management on Instagram. You should not expect instant results after creating an Instagram profile.

10. HAVE FUN

You may be wondering how you can have fun while managing your Instagram art gallery. The thing is, when you have fun, you will be able to create great art-related content and develop your signature style of content presentation, both visual and written. So, make sure you are having fun with whatever you do. 

WHAT KIND OF CONTENT TO POST ON INSTAGRAM FOR YOUR ART GALLERY?

hen using Instagram for your art gallery, it is important to post content that is interesting and engaging. It could include photos of the art installation process, shots of the artists at work, or pictures of the finished product. You can also post short videos of artists talking about their work or giving tours of the gallery.

It is also important to post regular updates. They will encourage people to keep coming back to your page. You can do this by sharing news about upcoming events, new artworks, or artist interviews.

HOW OFTEN TO POST ON INSTAGRAM FOR YOUR ART GALLERY?

As a rule, content on Instagram is posted once or twice a day. The need to post more or less often depends on your specific audience and the material.

HOW TO USE INSTAGRAM STORIES FOR YOUR ART GALLERY

If you want your art gallery to stand out from the rest, then you need to use Instagram stories. They will allow you to give your art gallery a personal touch. You can use stories to share images and videos of your artwork and as behind-the-scenes footage of your gallery. You can also use stories to announce upcoming exhibitions and events and to promote your artists.

HOW TO USE INSTAGRAM LIVE FOR YOUR ART GALLERY

Here is how to use Instagram Live to set your art gallery apart from the competition:

• Plan and create a schedule for your live broadcasts. Setting a schedule will help your audience know when to tune in.
• Use social media and your website to promote your live broadcasts. Make sure to include a link to your Instagram account.
• Interact with your followers during the live broadcast. Answer their questions and respond to their comments.
• Make sure that your live broadcasts are high quality. Use a good camera and microphone, and make sure that the lighting is good.
• Broadcast regularly to keep your followers engaged.

CONCLUSION

Take the time to perfect your online art space and Instagram account management skills. No matter how difficult things seem at the very beginning, how many times you fail, or how little money you have to start, never give up your dream.

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Author’s Bio: Nancy Howard is a British author. She specializes in web content creation and is currently contributing to Trust My Paper and Best Essays Education writing services. She assists people in overcoming writing challenges and producing high-quality material.

The post Instagram for an Art Gallery: How to be Special appeared first on Art Business News.

USING NATURAL LIGHT

In the ideal studio, natural light comes in through a north-oriented window and fills the entire room. However, in most studios, artists are grateful if they have any windows. Even if every artist had a well-positioned studio with plenty of windows, natural light might still be problematic.

Direct sunlight and the movement of the sun can influence the lighting of the room. Also, it can bounce through the room using the floor, walls, and ceiling and end up reflecting in the wrong spot. You could use some tricks to direct the light, but they will only work for specific times during the day. In the end, even if you do have great natural light, you will need to enhance it with an artificial one. That is why the best option is to work with both and make them complement each other.

THE ADVANTAGES OF ARTIFICIAL LIGHT

One of the primary benefits of using good artificial lighting is that you can work at any time of day or night. Furthermore, unless you want it to, artificial light will not lose intensity, move or bounce. You can choose to have warm or cold light, directed from above or below, dim or bright. The possibilities are numerous, and you only need to know which is the best combination for your art studio. After all, having too much light can be as harmful to your art studio as having too little. To assist you in finding the ideal mix, we will go over four factors to consider while using artificial light. They are:

• Temperature
• Color
• Intensity
• Angle

LIGHT TEMPERATURE

Different light sources have different temperatures that can be warm or cold. It is measured in degrees Kelvin and refers to the visual temperature produced by a light source. It can vary between 1000 and 10.000 degrees, and the barrier between warm and cold is at 5500K degrees. A candle flame, for instance, has a temperature of 1800K, while the light of a clear blue sky has a temperature of 10.000K. Most artificial lights in our homes, such as lightbulbs, have a Kelvin temperature between 2500 and 3000 degrees. Therefore, they would be inappropriate for use in an art studio, being too warm. As a result, choose something neutral, around 5000K, and it will be excellent. If it’s colder, your cool colors may be affected, causing you to warm them up more than necessary.

LIGHT COLOR

Depending on the temperature, the light you are using can have different colors. For instance, warmer light is yellow, orange, or red, while cold light is white or blue. The best way to choose the perfect light is to search for it based on the Color Rendering Index. CRI is the capacity of a light source to create light that resembles natural light. Natural daylight has a CRI of 100, so aim for anything higher than 80 when choosing lights for your studio. The higher you can find it, the better. In a word, if you want to know how to properly light your art studio, seek lights with 5000-5500K and a CRI of 98. With such a great light source, you can even create an art studio at your home.

LIGHT INTENSITY

The power and distance of the light source impact the intensity of light. The closer you bring the light source to your painting, the more intense the light and vice versa. At the same time, the more powerful it is, the more it illuminates. It can be great to have powerful enough light in your studio but, make sure you put the accent on enough. If you have too much, it might trick you into thinking that you should make your drawing or painting darker. For this reason, you can use the value scales of Watts and Lumens to choose the right light. Watts measure how much power the light source consumes, while Lumens measure how much light it produces. For example, an 85-watt lightbulb with a CRI of 90 and 5500K will provide around 5000 lumens. That is a clean, bright light that is perfect for working.

LIGHT ANGLE

It’s also important to have light coming in from the right angle on your workspace. When working on an easel, the light should radiate from behind you at a 45-degree angle. That should help the light fall evenly and eliminate any poorly lit spots or glares. You can control the quantity and intensity of the light by placing the light source at the perfect distance. Not too far away to have insufficient light, but yet not too close. If you don’t have an adjustable light source, move your easel to the best-lit place. If you are working on a flat surface, the light should also come at a 45-degree angle. To achieve this, you can put light sources on both sides of your work desk. It will ensure the perfect distribution of the light and prevent reflection.

TYPES OF LIGHT AND LIGHT SOURCES

Now that you know how to properly light your art studio using light temperature, intensity, and angle, you need to know what types of lights there are. Hence, here are the four types of light and light sources that you can choose from.

• Because incandescent bulbs usually have a light on the warm side of the Kelvin scale, it is unsuitable for use in an art studio.
• Fluorescent light bulbs are long and tubular, and they distribute light pretty evenly. Their light is more on the cooler side of the Kelvin scale, so it is closer to natural light. Unfortunately, fluorescent lights need certain fixtures, which can be hard to set up.
• Compact fluorescent. These bulbs function similarly to fluorescent lights, although they appear more like incandescent bulbs. They may have a variety of light temperatures, making them an excellent choice for an art studio.
• This type of lighting is a great choice for photography studios. It has adjustable color temperatures and intensity, and it is known to last a long time. They are available in panels and strands, and they are simple to install.

CONCLUSION

As you can see, there are many factors to consider when you are setting up the light in your studio, from light temperature, color, intensity, and angle to types of light and light sources you can use. It may be tough to do it right the first time, and some options may be pricey, but the effort will be worthwhile. The quality of your art will improve, and you could even get accepted into a gallery. In the end, knowing how to properly light your art studio will only bring you benefits.

Author bio: Audrey Meyer has over ten years of marketing and communication experience and has worked in several sectors including marketing, advertising, and fashion. She is now working with Best Movers NYC to offer them an advantage when it comes to marketing and gaining the appropriate exposure.

The post How to Properly Light Your Art Studio appeared first on Art Business News.

So, to create this article, we consulted professional artists who manage to find buyers for their paintings and earn their talents. Yes, imagine, they do exist in reality. If you want to become an artist, here’s what the pros had to say.

Tip 1: Learn the Basics

All sciences and crafts begin with basic knowledge. If you attended art school, you just need to refresh the information you got there. If you just picked up a pencil for the first time, it’s a good idea to enroll in drawing and painting classes or at least finds online art classes, read textbooks, and listen to audio courses. A true artist should be able to mix paints on their own and understand what color and color scale, shadow and penumbra, proportions and perspective are. These basics are not dead theory; they are basic knowledge that makes work easier.

An artist also needs to know exactly what tools they need to best do what they love to do. Then, when you decide on your style and technique, study it more thoroughly. And not to imitate another, but solely for the sake of mastering the secrets of skill.

Tip 2: Do Not Get Hung Up Going In Only One Direction

Many experienced artists are aware of their weaknesses. For example, one painter perfectly paints landscapes, but understanding the complexities of human anatomy was something he could not master, even after years of effort.

You can learn a lot by improving your knowledge and skills to become a universal artist and a master. Try to expand your horizons, discover new directions and styles, the culture of different eras, the art of different countries. Try to apply all the findings and techniques in your practice.

A narrow vision is not good for an artist; a creator should be able to go beyond the established patterns. Try to mix different styles and techniques. Your work will immediately become more interesting.

Tip 3: Study All Kinda and Genres of Fine Art

It is said that real artists must understand all the nuances of fine art. It is necessary not only to be able to draw with pencils and paints but also to study different techniques. You will only benefit if you learn how to work with various mediums: crayons, oil, acrylics, and watercolor. In addition, at least learn the basics of graphics editors. It’s an important component for business if nothing else. You’ll be able to process photos of your work or design a brochure and invitations for an exhibition.

Tip 4: Work Every Day

If the best testament for a writer is “not a day without a line,” then for an artist, it must be “not a day without a drawing,” or better several. Experienced artists know how quickly the quality of work increases if you force yourself to do 30 sketches a day. It takes a lot of work to become a true artist, to develop your original and recognizable style, to find your “zest.” Dedicate at least 30 minutes a day to creativity. Inspiration is a capricious thing it does not always come, and often not at the moment when it is required. In rare cases, images or stories come to us almost ready-made. As a rule, everything is revealed in fragments, literally in crumbs.

So, what to do if there is no inspiration for too long? Keep working, overcome all the difficulties and build your creative life step by step, day by day. One painter I know, on occasions, when there are no new ideas and inspiration for a long time, just paints the view out the window. He lives in the center of St. Petersburg, so it’s not hard for him to find beauty.

Tip 5: Learn From The Greats

It is very useful for an artist to study in-depth the work of acknowledged masters. If you can’t see the paintings of famous artists, then study albums of fine arts, the Internet will help you! Try to look for the smallest details of the paintings of great artists of the past, who immortalized their names in art.

Do not forget that copying is welcome for educational purposes and despised for imitative purposes.

Tip 6: Try to Create Something New

An artist needs to hone his or her skills in the pursuit of perfection, such as depicting butterflies. To do this, you need to increase your skill level with daily exercises. In time, the exercises will lead to other priorities in your art. If you want to become an artist that everyone will recognize, you have to find a way to create work that hasn’t existed before you and offer the world a whole new product.

Some artists spend their entire lives painting nymphs as they were taught at art school and remain anonymous, despite their obvious talent and skill. Finding a new avenue in art is very difficult and painstaking work. Perhaps what you create today will be a total failure, or perhaps the opposite, a masterpiece. And you’ll never know until you try it.

Tip 7: Don’t Be Afraid to Show Your Paintings To the World

Artists who paint but do not show their work to the world should not hope for lifetime fame. You should not only create masterpieces but also show them to people.

Even if you create only for yourself, it never hurts to show your work to those who understand art. Many novice painters are afraid of criticism. But are you really going to let someone lower your self-esteem? You’ve put so much thought, effort and time into your work, only to have it relegated to a dark closet? That certainly doesn’t sound like a wise decision. Especially today when the Internet allows any creative person to showcase the product of their talent. You don’t have to have a one-artist exhibition right away.

Your paintings don’t have to be masterpieces or even finished works. You can simply publish a report on your blog about how a painting called “Portrait of a Lady in Blue” or “Sunrise over the Bay” is going. The more often you show your work, the easier it will be for you to deal with criticism. And, most importantly, this way you’ll be more likely to know what direction you should take.

Tip 8: Enjoy Criticism

A few more words about criticism. Artists who live around people always get comments on their work. If an artist can’t listen to criticism calmly, then what kind of an artist is he? So be happy with any comments, both positive and negative, because they are necessary for your development.

If they criticize you, take it to heart, but don’t take others’ words as an attempt to humiliate you. If you are a beginning artist, you should listen especially carefully. Suddenly, there is something you can learn. In this case, you don’t need to abandon your original style, but perhaps adjust to incorporate other valid ideas and input. 

Tip 9: Speak More With Fellow Artists

More experienced artists can give you tips, teach you something new, or give a helpful comment about your work, looking at it with a fresh professional eye.

Attend creative workshops. It’s a great way to see how contemporary art lives, in what direction it’s developing. In the end, networking with your colleagues is always useful. Thanks to professional acquaintances you will have a better chance of being invited to an exhibition or finding buyers for your paintings.

Tip 10: Don’t Paint for the Sole Purpose of Making Someone Happy

The artist’s job is to find beauty, to create and share their experiences with the world, and then to move on. You don’t have to dwell on one painting for a long time and think about how else to improve it. No need to constantly worry about how the audience will react to your work. Don’t try to create to please any audience, otherwise, it won’t be art, but a commercial enterprise.

Author Bio: Gabriella Tou leads freelance projects as a content writer. She will give you the best recommendations on how to write my college essay. Gabriella is inspired by nature and paintings.

All images: https://www.pexels.com

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What is a Copyright?

In simple terms, copyright means “the right to copy.” A copyright holder has the exclusive right to reproduce an original creative work, which is usually a literary, artistic, musical, or educational work in physical form. The copyright holder may also authorize others to reproduce the work.

Examples of unique creative works that may be copyrighted include but are not limited to:

• Novels
• Poetry
• Short stories
• Screenplays and stage plays
• Set designs
• Costume designs
• Dance choreography
• Musical scores
• Musical lyrics
• Vocal works
• Instrumental works
• Software
• Web designs
• Graphic designs
• Art
• Clothing designs
• Architectural designs
• Textbooks and lesson plans

Copyright does not protect creative works that are not in physical or tangible form, such as ideas, discoveries, concepts, or theories. Creative works such as speeches, musical scores, and original ideas must be memorialized in a tangible medium of expression in order to be copyrighted. For example, original music must be written as a score or recorded. An idea for a sculpture must be sculpted. A poem must be written down.

What rights do I have if I am a copyright owner?

A copyright owner or holder has the exclusive right to:

• Reproduce the work
• Prepare derivative works based upon the work
• Distribute copies by sale or by rental, lease, or lending
• Perform the work publicly if it is a literary, musical, dramatic, or choreographic work, a pantomime, or a film
• Display the work publicly if it is a literary, musical, dramatic, or choreographic work, a pantomime, a pictorial, graphic, or sculptural work, and the individual images in a film
• Perform the work publicly by means of audio transmission if the work is a sound recording

These exclusive rights expire after 70 years after the copyright holder’s death in the U.S. Other countries differ. A work may be copyrighted whether it is published or unpublished.

How do I apply for a copyright?

Your work is copyrighted the moment you create it and fix it in a tangible medium of expression. Registering a copyright is voluntary, but if you must bring a lawsuit for copyright infringement, you must have a registered copyright. If you register your copyright within five years of the creation of the work, a court considers that prima facie evidence of ownership.

There are further benefits of registering your copyright. When you register it prior to any acts of infringement or within three months after its publication, you are eligible for statutory damages, attorneys’ fees, and court costs paid by an infringer should you have to sue. Also, you will be able to file your registered copyright with the U.S. Customs and Border Protection, who will help guard against imported infringing copies of your work.

Your copyright is registered as of the date the Copyright Office receives your application and a non-refundable filing fee.  

How can I monetize a copyrighted work?

Any or all of the copyright holder’s rights, or parts of those rights, can be transferred to someone else for a period of time or permanently. In the U.S., such a transfer must be made in writing and signed by the copyright holder or their agent. Transferring a right or rights on a nonexclusive basis does not require a written agreement.

A copyright holder can bequeath copyright in a will. If a copyright holder has no will, copyright can pass to an eligible party under the state’s intestate succession laws.

A transfer of copyright ownership by any means can be recorded with the Copyright Office through its Office of Public Records and Repositories, giving the new copyright owner some legal advantages if a dispute or unauthorized use occurs. 

What is a Trademark?

A trademark is a mark that protects words, phrases, symbols, or designs, or any combination of these, that identifies the source of the goods or services of the trademark holder and distinguishes the trademark holder’s goods and services from those of others.

A trademark is said to be an essential part of a company’s brand. When someone infringes upon your trademark by using it or something similar enough to cause customer confusion, this dilutes the power of your brand. It is important, therefore, to register your trademark to receive optimal protection under the law.

What rights do I have in my trademark?

Common law rights

If you do not register your trademark in your state or with the U.S. Patent and Trademark Office (USPTO), any protection for your trademark has flowed from your use of the trademark in your industry and geographic area.

State trademark registration

If you choose to register your trademark in your state, your trademark is protected in that state only. If you choose to do business across state lines, your trademark is not protected from infringement unless you register it in that state also or with the USPTO. 

Federal trademark registration

When you register your trademark with the USPTO, you have the exclusive right to use your trademark to identify your particular goods or services and to prevent competitors from using your trademark or something similar for the same goods and services anywhere in the nation.

You use the ® symbol to put competitors on notice that you have registered your trademark.

International trademark registration

There is no such thing as “worldwide trademark registration,” however, you can register your trademark in multiple countries through a treaty known as the Madrid Protocol. Completing a single application registers your trademark in all of the over 100 signatory countries. Bear in mind that registration is not automatically granted under the Madrid Protocol. Each member country’s trademark office will review your application and decide whether your trademark will be registered in that country.

How do I register a trademark?

You can apply online for trademark registration on the USPTO’s website. There you can determine whether anyone else is using your trademark or something similar and fill out your application for an examining attorney, who will review it and either approve or deny it.

If your trademark application is approved, keep in mind that you must continue to use your trademark in commerce, provide evidence to the USPTO that you are still using it, and file maintenance documents and fees at required intervals.

How can I monetize my trademark?

You can monetize your trademark by entering into a licensing agreement. The licensee will pay you as licensor for the use of your trademark under specified circumstances. Such an agreement should be in writing, signed by both parties, and registered with the USPTO. 

When drafting a licensing agreement, bear in mind that the law permits you to license your trademark only if you control the nature and quality of the goods and services bearing those marks. You should monitor the licensee’s use of your mark to protect your mark and the goodwill and customer recognition it represents.

As an artist, whether literary, visual or performing, you may need both copyright protection for your work as well as trademark protection for your mark in order to protect your brand. While applying for Intellectual Property (IP) protection can be done online, it is best to seek the help of an experienced IP attorney so that there is the greatest likelihood your work and your brand will be protected under the law.

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About the Author:

Veronica Baxter is a writer, blogger, and legal assistant living and working in the great city of Philadelphia. She frequently works with and writes on behalf of the busy NJ immigration lawyers in The Yao Law Group. 

The post Copyrights and Trademarks: How to Protect and Monetize Your Work appeared first on Art Business News.

When we interviewed Martin, she disclosed details on her background, inspirations, current work, and advice for young creatives.

Tell us a little bit about your background. What inspired you to become an artist? Was there an “aha!” moment that helped you realize this was what you wanted to do?

I never really knew I could be an artist, even when I was successfully becoming one. Despite it being my primary passion for as long as I could remember, I didn’t believe it could turn into a full-time career. This is a common sentiment within the art community, as I’ve heard it from many of my peers. I realized there is a lot of struggle to overcome, and growing to be done, in order to see yourself in such a way.

As for my work now, I make words, drawings, lines, and connections. In order to create my art, I need to be on a path where I can figure out who I am.

Are there any specific events or aspects of your life that influence your work today? What are some of your ongoing passions that serve as constant inspirations?

My life, environment, thoughts, questions, loved ones, experiences … they all affect my work. My art is very much in the present and relates to the me in that very moment. You could say my passions revolve around working to be a better version of myself, trying to have a more open heart, and striving to stay as organized and patient as possible.

Your artwork consists mainly of black lines, symbols, and minimalistic messages. Where did this style of work stem from? Have you explored other mediums, or even other areas of expressive art and creativity?

During what now feels like a past life, I lived and worked in Japan as a Visual Jockey. I created real-time drawn club illustrations to performances by DJs, dancers, and musicians—this work was bold, colorful and digital. I’ve also been a scholar at MIT Media Lab for the past couple of years, where I’ve explored interactive mapmaking, printed circuited boards, and [examined] the analytics of my art. I’ve collaborated with many of my friends using code as our medium, and most recently, I’ve been exploring drawing with just music and my voice. I will always explore new mediums for my art—it’s how I continue to grow.

You recently created a massive mural in Buffalo, New York. Tell us a bit about the story behind this piece.

“Dance Everyday” is my largest drawing to date at just over 200 feet long, and is a permanent mural on East Delavan Avenue. I created this a couple of weeks ago in conjunction with my solo museum show at Albright Knox, but more so as a small step towards helping to re-energize the east side of Buffalo.

It was such a profound experience for me. All day as I was drawing, members of this amazing community came by to say hello and speak to me about my art. I’m extremely thankful for how receptive and responsive they were to my work. I also heard there will be more renovations done to the surrounding space and an opening celebration for the mural. I hope to come back and be a part of it.

What are some recent galleries you’ve exhibited at and shows you’ve put on? How was the experience, and feedback from the crowds?

I haven’t been doing many gallery shows lately; my recent shows have been more music gigs. I’ve loved seeing the positive response from people. Each show is unique, as each one has kind of been spontaneous. I don’t really know how to play piano, but I simply play it with feeling because I’m inspired by the atmosphere of the venue and the crowd.

Do you have any additional shows, projects, murals, or gallery openings coming up?

I have a solo exhibition titled “Charge Your Self,” which will be going live at Chandran Gallery in San Francisco on July 13, and a public art piece I will be working on in downtown Denver. Otherwise, I’m winding down the year to allow myself to jump into really cataloguing my art works.

Have you set any concrete goals for yourself and the future of your career? If so, what are they?

Absolutely. I want to have a solid inventory of my artworks and start selling art in such a way that it creates connections and relationships instead of just being about making money. I want to focus on releasing my music and playing more gigs. I also want to expand my business and hire my first full-time employee.

What advice would you give to those who are just starting out in their artistic careers?

Don’t wait for anyone to create or give you opportunities. Go make your own by using what you have access to.

Learn more about Shantell Martin on her website.

The post Words, Drawings, Lines, and Connections: Interview with Shantell Martin appeared first on Art Business News.

Respect the process and give yourself permission to take time for your work. Schedule it—or, better yet, make it a part of your daily routine.

Each day I take an hour or so to have a conversation with my work.

I live nomadically, all over the world. When I’m in Arizona, I ride my bike; when I’m in the countryside, I ramble through forests; and when I’m in London and New York, I walk to museums.

It doesn’t matter where I go—the destination is always the same: inside myself. This space, this precious time by myself, allows me to connect with my thoughts on a deeper level. This is where I think through my ideas: making connections, solving problems, understanding bigger pictures.

This is my real work, and this is my workspace.

Just because reading books and blogs, visiting museums, and taking long solitary walks looks like more fun than other people’s jobs doesn’t mean that it’s not part of your work.

You’ve sacrificed a lot to be an artist. Don’t deny yourself this.

And it’s a revolution. A call to arms. As the world moves away from quiet contemplation, someone must lead the way back. This is what art does.

By taking this time to think—or to simply be—you can change the world.

The post Connect With Your Ideas appeared first on Art Business News.

Ah good exposure! The two words that should make every artist cringe.

I get it. Trust me, I still do things for good exposure. And I find it just as difficult to pay my bills with exposure as you do. Exposure is a tricky thing. We all want it, but we don’t want to give ourselves away in the process of getting it. So should artists do things for exposure?

Well, it depends. If you want to get eyes on work and the venue’s appropriate, then why not? Just make sure that the work is going to be taken care of, that all of the relevant information is available, and that you have a clear under standing of terms should something sell.

And dare to look deeper. Is there anything else in that situation that might benefit you?
Something other than money?

• Do you have books that could be sold or calendars or small prints?
• Could your bio be added to the business’ website with a link to your own?
• Could the organization promote you on their social media channels?
• Perhaps if it’s for an event, you can ask for the attendees’ names so that can build your mailing list? (with their permission, of course)

I’ve hung artists’ work at coffee shops, restaurants, and doctors’ offices a few times. I always made sure to go the extra mile. I formed relationships with the staff and educated them about the art. I even promised them a small private kickback should they make the sale. I held an Opening Party, and always made it a point to have my meetings at that location.
If the work was going to be more of a permanent display, or if I didn’t see a whole lot of art buyers going through the space, I suggested a trade instead. The venue could own the work and in exchange I received credit towards their goods and services. Win! Win!
But I digress. Because this particular artist wrote that the exposure she was promised was lacking. She was given certain assurances that were not delivered. How, she asked, could she complain without sounding difficult?
Ah! The fear of sounding difficult! Funny thing about difficult. I’ve worked with hundreds of artists in my career. And some of them were what you might call difficult.
But there’s two different types of difficult.

• There’s the egotistical, pain-in-the-ass difficult. This is the artist who leaves hergood manners at home and acts as if everyone else is an indentured servant.
• And then there’s the artist who’s not afraid to be an advocate for her work. She respects herself and takes her job seriously, always maintaining the highest standards.

Do you see the difference?
I’ll tell you what I told the artist who wrote me with her quandary: when you speak up for yourself, when you push back, no matter how nicely you do it, there’s always a chance you’ll be labeled difficult. Because for some reason, those who don’t take their work seriously are easily threatened by those of us who do. It’s easy for them to label us as “difficult.” But that’s the risk we take.
In my experience, the most successful artists are successful because they’re adamant about protecting their work. They bring 110% to the job and their standards are high.
So how do you protect yourself without getting a bad reputation? It’s like this:

• You’re always professional and courteous, never angry nor defensive nor accusatory. You meet deadlines, budgets and you exceed expectations.
• You value what you do and value those who help you do it.
• You stop taking on projects where it’s not specified – in writing – exactly what you expect in return. And you advocate for your work when you feel it’s in a compromising situation. I wonder what would happen if we replaced the word difficult with the word strong?

Because when it comes to your work and your career, being strong will get you where you want to go every time.
And that is nothing to be afraid of.

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