Linda Mariano, Editor-in-Chief

Artist Pedjman Mohammadi’s collection is a breathtaking fusion of creativity and sustainability, transforming plastic waste into stunning abstract art. Each piece is meticulously crafted from recycled materials, merging eco-consciousness with aesthetic brilliance.

Pedjman’s artistic vision breathes new life into discarded plastics, turning them into unique, visually captivating artworks. His artwork offers a diverse array of colors, textures, and styles, ensuring there’s something to inspire every art enthusiast.

Art Business News recently met with Pedjman to learn more about his career and his amazing works of art.

ABN: Let’s start at the beginning — tell us a little bit about how and when you decided to make art your career.

Pedjman: I’ve been painting since 1995, but I started painting full-time just last September. Being a father of an 11-year-old, the future of the next generation is very important to me. My daughter is a very focused environmental individual:  she gathers plastic and tries to recycle just about anything. So this last September, I decided to team up with her and try to work as much as I can with recycled materials to create my art. And that’s how everything started. Then I connected with Redwood and Artexpo New York to create my first exhibition in April, and the rest, as they say, is history.

ABN: One of the most intriguing parts about your work is that you’re not just using environmentally correct products to create the work, but you’re recycling things and incorporating them into each mixed media piece of artwork — and in some very interesting and compelling ways. When it gets down to the day-to-day of creating, what is your work philosophy and how does that impact your work on a daily basis?

Pedjman: Let’s see. Part of my timeline was living in Japan, part was living in Vienna. Living in those two countries informed me how to pay close attention to nature, recognize art, and pay attention to the environment around me. And that is essentially who I was and who I am. Those two experiences in my earlier life are still a big influence on me today. And then, the rest is really trying to be an environmentally conscious individual. I try to recycle as much as I can. I do believe there is a bridge between creativity and sustainability, and I can form plastic and create art and deliver that to my audience.

ABN: And the pieces you create are definitely show stoppers, not only from a size perspective, but they are dramatic and compelling. Let’s switch topics just a bit and ask you to think about people that you’ve talked to, people that you know, or people that you’ve read about. What’s the best advice that you’ve ever gotten, and how has that impacted your success?

Pedjman: Best advice I received was really from Redwood Art Group. I decided it was important for me to come to an art fair and present myself. I wasn’t expecting anything out of that experience. I just wanted to know where I stood i respect to today’s art business and art culture. Really listening to the advice I got, everything that Eric told me about price point and how to deliver myself to the visitors at the fair really helped me. Listening about marketing piece and how to put my booth together and curate my artwork to make the best impression really helped me to showcase and position each piece for the audience. I would say the best advice I received was really from Redwood.

ABN: Well, thank you. Wow! I wasn’t expecting that. So what do you do to market yourself and your art?

Pedjman: I leverage Instagram daily. I share my work and my daily work process on Instagram. I try to get out there as much I can, join art events as much as I can, and go to art galleries as much as I can. I think seeing art and speaking to people helps to create connections and relationships.

ABN: Making connections is so important. Whether it’s being at art events, whatever they are, really being present and working it. When it’s a first time, like one of Redwood’s fairs or even getting your work in a gallery, it’s important to remember it’s also the first time the work is being seen by that audience. So you might not sell anything, but it’s the networking and creating connections that can lead to amazing outcomes. Those connections build one on the other — and that’s how you start to establish yourself with a base and as a career artist.

Thinking about that, what has been your greatest success in terms of building your career and your client base?

Pedjman: That’s sort of a challenging question because I’ve really only been in this full time for less than a year. My greatest success really started at Artexpo New York. Like I said, I didn’t have any expectations, just wanted to see where I stood. It was remembering the small things, like “Hey, stand up in front of your booth.” It was one of the things that really captured everybody’s attention and drew them toward me, and I was able to talk to every single person. There were so many conversations that opened doors in all different aspects. In the fair, I was able to sell three of my pieces out of ten that I presented. 

But then so much came after based on all of the connections that I gathered — I got commissions after commissions, two weeks, four weeks after. And it was a joy for me to be able to listen and execute on everything Redwood had advised me. And it worked. Even my Instagram account, I started with 250 or so followers when I was in Artexpo New York. today I have nearly 4,000!

All of these small things might be small, but it was a big, big victory for me as a beginner. And all of those are the things that really work. And I try to stick to those things, over and over.

ABN: What you’re really talking about is building blocks. It’s building a foundation, no matter what you’re building — you’re building a house, you’re building a career, you have to have the foundation, then you can stand on that foundation and it’s solid ground.

Just one more question. Any particular advice as an emerging artist that you would give an aspiring artist?

Pedjman: Well, I would say be honest with yourself and be consistent. Do what you’re doing day after day. Get out there, and build relationships. I think that’s the most important piece of the puzzle. And not only that, maintaining that relationship is very important. This means that whether you gather a phone number or an email address, reach out to those clients and individuals when you have events coming up. Enjoy the ride. Try not to stress and enjoy the experience, set the tone and set the mood. I think everything starts with the attitude — when the attitude is right and the attitude is out there it creates a positive vibe that captures attention. I think that’s very important. And I’ve experienced it first hand. So that would be my two cents.

ABN: You are so right! I think one of the things that has attracted your success is that if you are enjoying what you’re doing and you have a positive attitude. Sure, it can be scary. It’s your career, it’s your livelihood. It’s always going to be challenging. But I think you’re meeting the challenge. And congratulations.

And, Pedjman, if you don’t mind, we’ll love to check back with you in a year or so and see what’s happened then.

Pedjman: Absolutely, that would be great! Thank you so much!

The post Meet the Artist: Pedjman Mohammadi appeared first on Art Business News.

Q: Introduce yourself — who you are and what is your vision as an artist?

Q: What artist(s) inspire you?

Q: What is the best advice you’ve received?

Q: When you are not working, where can we find you?

Q: What does exhibiting at Art Santa Fe 2024 mean to you?

Art Santa Fe is incredibly important to me. It’s my first time in the southwestern United States sharing my work. Im out of my comfort zone. I have no established base here, no fans, yet grateful to be here. My plan over the past two years is to get out of my Florida comfort zone and start growing in other areas. Santa Fe was a perfect match. I’ve put a ton of heart into the Kress Collection Gallery.

You can find my art and journey on Instagram @mattkressart and website https://mattkress.art

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Q: Introduce the gallery — who are you and what is the vision of your gallery for your artists? 

A: We are pleased to introduce James Bacchi Contemporary.  Celebrating forty years in the art business in New York, San Francisco and most recently Palm Springs. More than a gallery owner, James Bacchi is a curator, art consultant and collaborator. His notoriety in the art world and his continued success stems from his ability to fearlessly reinvent himself.  

 James’s vision for his latest gallery and for his outstanding roster of artists is to provide an inspired, intimate exhibition space and art consultancy where he can introduce these artists and their work to the worldwide audience of contemporary art collectors, architects and designers that converge at The Shops at Thirteen Forty Five in Palm Springs, California. 

Q: What is your background? 

A: My background incorporates many facets of the Art Business including public relations, curating exhibitions, owning galleries and corporate art consulting. Having the opportunity to delve into all these arenas has served me well Inside James Bacchi Contemporary.

Q: What is your work philosophy and how does that impact the gallery? 

A: “My work philosophy evolves around my solid relationships with the artists and collectors I work with, my art selection process, my integrity and the pure enjoyment derived from what I do. I love the art business,” says Bacchi. “Every work of art I represent, and exhibit is one I would want to include in my personal collection. I believe my passion for the work has the greatest impact on the success of James Bacchi Contemporary.”      

Q: What is your vision for the next year? Next 5 years? 

A: At 69 years young, my vision today focuses far more on the present and immediate future, unlike in the early stages of my career where I felt the importance of long-term goals and five-year plans. These days, I’m all about being fully committed with no commitment. Strange as it sounds, it offers tremendous freedom, satisfies my desire for short term results, and leaves me open to all the possibilities. 

For example, finally, after all these years in the business I recently enjoyed my first sold out exhibition with master printmaker, Eric Rewitzer. The show, MCM Monsters, not only sold out but presented me the opportunity to orchestrate five commissions with the artist for collectors. The exhibition generated tremendous media attention including NBC-TV. From planning the exhibition to delivering the last commissioned work took all of six months.  

Next year will feature a sequel to MCM Monsters opening in February 2025 in conjunction with Modernism Week in Palm Springs. Until then, I am curating Group Exhibitions and Pop Ups, spotlighting works by JBC represented artists. This allows me creativity and the opportunity to constantly rotate inventory and most importantly, place the work.  

Collaborators James Bacchi and Susaye Greene discussing their latest project, Meta Contemporary, over lunch at the Casa Del Mar Hotel in Santa Monica, CA. My vision also includes more collaborations. I am currently collaborating with artist, singer, songwriter, Susaye Greene, aka The Last Supreme, on Meta Contemporary.  This gallery/auction platform, located in the Metaverse, will feature events and exhibitions with an auction component designed to benefit various arts related organizations. We are beyond excited by this project. Please stay tuned.       

Q: What artist(s) inspire you? 

A: In addition to the artists I represent, I do have a bucket list of artists that inspire me.  Presently, they include Timothy Cummings, Donld Roller Wilson, Simen Yohan, Banksy, Yoshitomo Nara, and Anthony James.  I recently caught David Hockney’s Drawing From Life exhibition at the National Portrait Gallery in London. It was awe inspiring! 

Q: What is the best advice you’ve received? 

A: The best advice I received came from a colleague, art collector, and dear friend.  Years ago, I recall discussing some aspects of my business I wasn’t pleased with.  Her response, “If it’s not working, change it!”  That advise has very much become my life mantra. Thank you, Paula Davidsen.    

Q: When you are not working, where can we find you?   

A: The only place you can count on finding me is in the pool every morning at 7:00am.  Aside from that, anywhere that offers great art, live music, theater, dance, or good Chinese food — I’m there! 

See more at www.jamesbacchicontemporary.com 

Photos all courtesy of James Bacchi Contemporary. 

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Q: Introduce yourself — who you are and what your vision as an artist is? What is your background?

A: A retired architect residing in New Mexico for most of the last 50 years, I am living a lifelong calling, to be a fine artist. I believe we cannot live without art.  Whether it is music, film, dance, or visual art, it feeds our soul. I strive to make art that reaches, touches, and connects us to ourselves and others. I have chosen the language of abstract art, a language like no other, with no dictionary to translate it but is open to each individual’s imagination and interpretation. Unlike architecture, there are no constraints. Total freedom is a refreshing change.

My background significantly influences my art. I was born and raised in Pittsburgh, PA, a place with honest, hardworking people. My dream, even as a young child, was to become an architect. With encouragement from my family, I attended Franklin and Marshall College where I studied art history and perfected studio skills that prepared me to pursue an M Arch from the University of New Mexico. I became licensed and through a very successful and rewarding, 40-year architectural practice, I was able to design a diverse portfolio of projects and achieve a fellowship in the American Institute of Architects. In 2020, I retired and now realizing another dream, to be a fine artist.

Q: What is your work philosophy and how does that impact your work?

A: My architectural training and practice taught me a way of thinking. I value simplicity. I’m fascinated by geometry, strong shape and form. My focus is composition. I’m not a fan of making “wallpaper” by creating amorphous or repetitive patterns. I believe, like a good building considers and organizes both the positive (interior) and negative (exterior) space, a good painting does the same. Regarding color and contrast, the high desert environment of the southwest inspired and awakened my creative sensibilities. What can be more visually powerful than an orange sky with purple clouds? Or the lush green, life-filled forest of the Rio Grande moving through rocky earthen, parched mountains? Those contrasts and others are compelling.

Q: What artist(s) inspire you?

A: I am most inspired by Richard Diebenkorn, a genius in composition and color. Never constrained by formalistic rules, he used the entire canvas in unpredictable ways. He was a master of creating strong shapes and forms. He was not afraid to use any color adjacent to any other. His use of line created movement while also contrasting simple planes of color. Like many great artists, he was a rule-breaker for his time. We know he challenged the status quo at the University of New Mexico when he was there in 1950. No adobes adorned with chiles for him. That inspires me.

I’m inspired by many other artists but most notably, the dramatic work of JMW Turner, the color and techniques of Cezanne, Monet and Matisse, and the boldness and simplicity of Franz Kline. Lately, I am enamored with the spontaneity of contemporary artist, David Mankin.

Q: What is the best advice you’ve received?

A: My architectural training taught me to always say, “What if” never relying on one idea. But the best advice that I struggle to comply with daily tells me to not overthink, to follow my own instincts, and to not be afraid to make an ugly painting. Mistakes are opportunities.

Q: When you are not working, where can we find you?

A: Residing in Albuquerque, you can find me with my family and friends enjoying New Mexico’s scenery and perfect weather. Or traveling to see and experience new places that recharge me.

Q: What does exhibiting at Art Santa Fe 2024 mean to you?

A: I’ve been painting in earnest now for about 5 years. Although I have successfully shown my work locally, I’m exhibiting in Art Santa Fe to finally test the waters with a broader audience. The truth is, that artists are constantly looking for validation. I hope I get it here.

The post Art Santa Fe 2024 Spotlight Artist Recipient: Bill Sabatini appeared first on Art Business News.

Q: Introduce yourself — who you are and what your vision as an artist is? What is your background?

A: My name is Vivienne Riggio, I am a Santa Fe-based sculptor. My artistic journey is a testament to a life infused with observation and the transformation of the mundane into the extraordinary. As a way of manifesting my vision, I fabricate large-scale mythical creatures that connect us to another time, another place.

I draw from my experience in operatic costuming and apparel design and use traditional Southwestern embroidery techniques, sheep’s wool up-cycled paper, and unusual objects.

My desire is that these shaman-like sculptures evoke a departure from conventional imagery to an unfamiliar place of wonder. Ultimately, I hope the viewer connects with that other place, a departure from their day-to-day thinking. For some these pieces take on a lifelike presence and others just enjoy the craftsmanship and appreciate them just as a work of art.

Born in Murphysboro, Illinois, my path to becoming an artist was as intuitive as it was inevitable. From my earliest memories, I was captivated by shapes, images, and designs, finding intrigue and expression in the arts from a tender age. My childhood, characterized by introspection and a deep internalization of my surroundings, laid the foundation for a unique artistic language, which I began articulating through three-dimensional art as early as five years old.

My grandparents emigrated to the US from Southern Italy and eventually settled in the Midwest. Their daily lives, though extreme from what Sicilia offered, gave them sustenance and a sense of belonging to something larger. 

In the late fifties, my parents heeded the California call and settled in the Bay Area, a small town ripening with revolutionary fervor. As teens, my siblings and I drank up the culture outside our front door questioning nothing and everything.

This is a small taste of what I inherited and was exposed to. As a young girl, I stood back and observed family dynamics, Catholicism, and academics and spent much of my time creating unusual art as a way of processing and expressing. It’s been that way ever since.

In my late thirties, I discovered New Mexico after a summer of picking fruit in British Columbia. Once landed outside of Albuquerque, I worked at the state fair, at restaurants, and wrote short stories. After a gig at the Santa Fe Opera as a seasonal worker in the costume shop, my artistic vision leaped toward larger dimensional pieces. I eventually settled in Santa Fe, but not before going back and forth to the West Coast and moving where my work took me.

I dedicated my career to labor rights, traveling to factories throughout Latin America, Asia, and North America, interviewing workers and factory owners. I’m now a permanent resident and live a stone’s throw from the Santa Fe River.

Q: What is your work philosophy and how does that impact your work?

A: The core of my artistic philosophy lies in the genuine, unfiltered interaction with the world around me. Whether I am surrounded by the tranquility of nature or immersed in the vibrant energy of a city, every experience is a wellspring of inspiration. My art is a means of distilling these experiences, transforming them into a language of shapes, textures, and forms that resonate on a visceral level. This process is not just about creation but is a form of communication, a way of sharing my perspective and inviting others to see the world through a different lens.

What motivates me to create is the endless potential for transformation—an object, a piece of fabric, or a fleeting image can become a conduit for profound expressions and conversations. I aim to create art that not only captivates visually but also engages on an emotional and intellectual level, prompting reflection and eliciting a sense of wonder. Through my work, I strive to offer a moment of connection, an opportunity for viewers to engage with their surroundings and their inner selves in new and unexpected ways.

Q: What artist(s) inspire you?

A: Magdalena Abakanowicz for her ingenuity to repurpose and courage to go big. Bette Saar to bring renewed life to the discarded. Louise Bourgeois for her courage to express sensuality and objects that cause a reaction in viewers. Graciela Iturbide- for her photographs of rural Mexican women. Christian LeCroix and Alexander McQueen for their otherworldly fashion

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Q: Introduce yourself – who you are and what your vision as an artist is? What is your background?

A: More than a printmaker, or painter, I think of myself as an image maker. My background is in fashion design and pattern making. I worked in the ‘rag trade’ designing clothing and traveling all over the third world to see how well these designs were put together.

Q: What is your work philosophy and how does that impact your work?

A: I enjoy working in the studio on various media including printmaking and painting as well as collage.  I am drawn to historic female characters; strong women and what I imagine that they would wear.

I create, I do not quantify or measure time, I work until the artwork speaks to me and tells me it is complete. It’s a joyful calling. I know that my audience is the world’s smallest and that I am not attempting a mass-market appeal. I listen to my imagination and I try to stay on a flow that avoids tributaries and tangents. What I ask myself each time I come near completion of an artwork is: is this piece remarkable? That’s how I measure.

Q: What artist(s) inspire you?

A: I am inspired by many of the modernists, especially the Santa Fe and Taos modernists of the early 20^th century. Also, I love to look at ancient manuscripts and illuminations for pattern, and composition. The Ukiyo-e Japanese woodcut print artists are always a delight to look at and I am drawn to contemporary public-art artists such as Shepard Fairey and emerging black artists such as Delita Martin and Bisa Butler.

Q: What is the best advice you’ve received?

A: The best advice I’ve received is from a professor in my Masters Degree program who told me to see more and paint less. On a more business-of-art direction I listen to Seth Godin, Akimbo podcast and find value in his philosophy about the world’s smallest audience and being authentic and remarkable with my work.

Q: What does exhibiting at Art Santa Fe 2024 mean to you?

A: Exhibiting at Art Santa Fe means a lot to me in that it is an opportunity to show with an Event Company that has great experience and a track record of putting on well-marketed and well-designed shows of high-caliber artists. I am hoping to find a small audience of galleries and collectors who are interested in purchasing and representing my artwork. 

The post Art Santa Fe Spotlight Recipient: Ouida Touchon appeared first on Art Business News.

Q: Introduce yourself — who you are and what is your vision as an artist?

A: We are Resurrect Studio Co-Founders, Jean Davis and Nancy Wu. Having met 8 years ago, we feel like we are 8 as well. Accordingly, we don’t think of ourselves as taking full responsibility for the formation of our glasswork, but rather, we are vehicles for what the art has come to be. We journey to a century-old landfill in Brooklyn to pick up glass fragments percolating into the bay. Our art is an excavation of the collective unconscious from Victorian-era New York City seen in today’s light.

Q: What is your background?

A: JD: I’m an artist in my heart and an art therapist in my psyche. I’ve worked for decades as a licensed art therapist in medical and psychiatric facilities as well as in private practice. I’ve been making art my whole life and did my undergraduate studies at the School of Visual Arts. Through a long commitment to art and art therapy, I’m now a Full-Time Professor at Pratt Institute, a therapist in private practice, and with gratitude — Co-Founder of Resurrect Studio with Nancy.

NW: I have an English literature degree with a master’s in architecture. I began oil painting shortly after my daughter passed suddenly in 2016 at age 13.  To keep my chin up, I surrendered to a variety of things to heal me. Making art was one of them. Jean helped usher me through the unimaginable. Our families grew closer through the grieving process and the healing space that emerged evolved into Resurrect Studio.

Q: What is your work philosophy and how does that impact your work?

A: JD: Many technical approaches are effective when conducting psychotherapy, but it’s the clients we love that are helped the most. This is also true when making art. When I put my full heart into creating, the work transcends me.

NW: Our art benefits from the gusto of 2 creatives with post-menopausal zest. In our collaborations, we’ve noticed that Jean tends to create innards, and I love to ground them and consider how they touch the sky. We’re both ever mindful of capturing negative space as well as a landing pad for the eye to be still. This is essential to an artist’s hospitality; they must allow the viewer to just be.

Music and dance have a group component built into them, but less so in the visual arts. Two sets of eyes are better than one in this kind of art making especially when we can grab a critique. When it gets to be too much admin and not enough making, one of us will call pencils down, turn on some dance tunes, and remind the other to “get clinking.”

Q: What artist(s) inspire you?

A: JD: I love art that takes me away from me! Some artists and their work do this for me and each time I return I see through a new lens. There are many ways to travel through inner and outer space.

NW:  A resourceful sensibility inspires me, not necessarily precedence.  It’s the skillset for making fried rice from a wilted scallion, rice, and an egg.  Missionaries inspire me with their can-do attitude. For example, we have a nun friend, Ces, capable of fixing most things with #4 wire and/or duct tape.

My father is a tenor who trained in Rome.  Upon seeing a playful accordionist at our wedding, he launched into a duet, a fantastical display people still marvel at today.  The sincerity and spontaneity of his artistry have affected me profoundly time and again.  Retrospectively, my mother coined healthy neglect as her parenting style in raising 6 kids.  We were given ample space to be imaginative, yet I think we can all agree we were never far from her mind’s eye.

Although my bookcases are packed, for inspiration I rely on my bike to marvel at the beauty of trees in the clouds, something Jean and I do, and if that doesn’t help, I’ll cut open a red cabbage deferring to its staggering beauty to align me with what is.  Modest Mussorgsky attended an art opening by his friend and then went home to compose Pictures at an Exhibition. I’d love for us to do this for someone.

Q: What is the best advice you’ve received?

A: JD: My mom always said, “This too shall pass.”  The expression gave me great relief in stressful times.  She had a way of only gently fluttering in the midst of a storm. I think we offered each other very different perspectives which, (for the most part!), enhanced our relationship. I love that.

NW: Hum when you sweep. Be daring. Go for it.

Q: When you are not working, where can we find you?

A: JD: Good work is play and good play is work. Therefore, I am hopeful that you will often find me doing these things simultaneously with my family and friends while doing therapy and teaching students or while simply tinkering around. 

NW: Renovating the next phase of our house with my husband Bob and son Bo, who both have a surfs-up attitude for seeing art and travel.

Q: What does exhibiting at Artexpo New York 2024 mean to you?

A: JD: This venture is a very new and exciting opportunity as we/Resurrect Studio are only 3 years old!  Connecting with others through art is so pleasurable. It’s why working and playing in the studio with Nancy gives such pleasure to the artist in me. I believe this kind of reciprocity at ArtExpo New York will support our development and the development of Resurrect Studio.

NW: Let the games begin!

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Q: Introduce yourself — who you are and what is your vision as an artist?

A: We started with the idea of spreading The Mount Fuji Illustrated Scrolls created by Hōraku Nakamura to the world. Our mission is to spread Japanese myths and legends through art. In the future, we will begin to introduce more Japanese art and culture, including the work of Hōraku Nakamura’s son, sculptor Nakamura Ippei.

Q: What is your background?

A: I was born into a family of pottery artists and went to art college in Japan where I majored in painting. Tengetsu was just launched last year. I also run a game company and an education project for children, which I founded with my husband.

Q: What is your work philosophy and how does that impact your work?

A: My philosophy is “to do what pleases my soul the most.” Furthermore, for me, that joy is the encounter with art. Born in Japan to a family of pottery artists, my encounters with Japanese arts, crafts, and culture (including video games, manga, and anime) have shaped me. I am convinced that sharing this unique Japanese art and culture with the world and being inspired by great art from around the world will shape the style of Tengetsu in the future.

Q: What artist(s) inspire you?

A: We have a sincere respect for traditional Japanese painting, ceramics, crafts, and craftsmanship in Japanese culture, including manga, and anime.

Q: What is the best advice you’ve received?

A:「君よ芳しき楽しみに生きよイエーイ」

It was given to me by my father and means, “O thou, Live in the fragrant joy, yay!” It also includes the meaning of my father’s writer’s name.

Q: What does exhibiting at Artexpo New York 2024 mean to you?

A: I love the glamor and cultural atmosphere of New York City. It has been our dream since childhood to introduce Japanese art in New York. This is the best first step for us and it will be a great experience to meet many artworks, artists, and galleries at Artexpo New York.

Don’t miss Tengetsu at Booth 316 at Artexpo New York 2024.

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Q: Introduce yourself — who you are and what your vision as an artist is?

A: My vision as an artist is to create captivating and impactful images that not only showcase the beauty of fashion but also tell compelling stories and leave a lasting impression on the viewers.

I am driven by a passion for storytelling and a meticulous approach to detail, which greatly influences my work as a photographer.

Q: What is your background?

A: Growing up on a rural farm in West Virginia and having a cultural heritage rooted in Northern Europe and Germany have greatly influenced my artistic vision. The simplicity of rural life and the connection with animals have shaped my perspective, while my heritage has given me a sense of pride and a connection to a rich artistic tradition. 

These elements are reflected in my art, showcasing a deep appreciation for nature, a strong work ethic, and a connection to my roots.

Q: What is your work philosophy and how does that impact your work?

A: I believe that as a photographer, my work is about more than just capturing beauty. It’s about telling compelling stories and creating visually stunning narratives. I emphasize meticulous planning and collaboration with my team to bring creative visions to life. Authenticity and individuality are at the heart of my photography, as I aim to capture the true essence of my subjects.

Attention to detail, mood, and emotion are essential elements in creating impactful images. Continuous learning and growth fuel my creativity, allowing me to stay innovative and relevant in the industry. Overall, my work philosophy revolves around storytelling, collaboration, authenticity, attention to detail, and continuous learning.

Q: What artist(s) inspire you?

A: As a photographer, I draw inspiration from a wide range of talented and visionary artists in the industry. These artists have not only influenced my work, but also pushed me to continually push the boundaries of my own creativity.

Here are a few examples of the photographers who inspire me: Richard Avedon, Helmut Newton, Irving Penn, Peter Lindbergh, Steven Meisel, Time Walker, and Herb Ritts.

Q: What is the best advice you’ve received?

A: I believe in staying true to my unique vision and style. Trusting my instincts and not being swayed by trends or external opinions has allowed me to develop an authentic voice. By staying true to myself, I create meaningful and impactful images that reflect my artistic vision.

Q: When you are not working, where can we find you?

A: My life is a beautiful blend of art, nature, continuous learning, and cherished moments with loved ones. I find inspiration in art exhibitions, galleries, and museums, immersing myself in the creativity of other talented artists. Nature rejuvenates my spirit and fuels my creativity. I actively seek opportunities to expand my knowledge and skills, attending workshops and exploring new creative domains. 

Spending quality time with loved ones brings me joy and fulfillment. This harmonious combination enriches my life and inspires my artistic endeavors.

Q: What does exhibiting at Artexpo New York 2024 mean to you?

A: Artexpo New York is an exciting opportunity for me to share my curated collection of photographs with a wide audience. I’m eager to showcase my unique style and storytelling through imagery and connect with fellow artists and industry experts. Being selected for this exhibition validates my talent and hard work, and I look forward to receiving feedback and growing as a photographer. Artexpo New York 2024 is a milestone that will allow me to gain recognition and expand my network within the art and gallery industry. I’m grateful for this opportunity and excited about the possibilities it holds.

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