Expanding Horizons: International Collaborations 

Motivated to dispel the stereotypes cast by years of conflict and grim headlines, Nour first sought to showcase Syrian artwork. Her mission was to reveal a side of Syria distanced from politics and war. 

Nour’s gallery embraces diversity and fosters creativity through extensive collaborations. Now boasting partnerships with over 30 artists from an array of cultural backgrounds, Nour curates a tapestry of global artistic expressions. Each collaboration highlights unique perspectives and narratives, enriching the contemporary art scene with innovative and thought-provoking creations. 

The gallery offers an eclectic mix that caters to diverse tastes and artistic appetites. Recently, Nour expanded its horizon by forging alliances with several prestigious galleries located in the south of France, a region celebrated for its rich artistic heritage and vibrant cultural scene. This strategic move allows Nour to present a broader spectrum of art styles, ensuring that the gallery meets the nuanced preferences of its discerning clientele. 

The diversity of artists represented by Nour brings a wealth of perspectives, each contributing to a richer, more inclusive art narrative. The gallery’s dedication to showcasing a wide range of cultural voices underscores its mission to be a platform where art transcends cultural divisions and unites people in a shared appreciation of creativity and beauty. 

A Gallery’s Vision Sets the Course 

Chamoun Gallery’s journey is deeply rooted in a passion for art and a commitment to innovation, collaboration, and personalized service. As the gallery grows, Nour’s distinct approach continues to shape it into a prominent name in contemporary art. 

Nour’s involvement in the art world goes beyond professional aspirations; it’s a heartfelt dedication to celebrating beauty, fostering creativity, and leveraging the transformative power of art. This vision underpins every aspect of Chamoun Gallery, driving artist collaborations, gallery partnerships, and tailored art consultations. By transcending boundaries, the gallery aims to create meaningful connections and elevate the art experience for all. 

The Rise of Online Galleries in the Art World 

While some traditionalists may argue that the tactile experience of viewing art in person is irreplaceable, the rise of online galleries is undoubtedly transforming the art world. As digital platforms continue to evolve, they are likely to become an integral part of the art ecosystem, providing new opportunities for artists and collectors while enriching the overall experience of art appreciation. 

It provides artists with unprecedented global exposure. No longer restricted by geographical limitations, emerging and established artists can now reach audiences far beyond the walls of traditional galleries. These platforms serve as a democratizing force in the art world, allowing artists to showcase their work to a diverse and international audience. 

For collectors, the online gallery experience offers unparalleled convenience and accessibility. Collectors can browse, compare, and purchase art from the comfort of their own homes, exploring a vast array of styles and mediums that might not be available locally. 

Setting the Standards, Making Connections 

Integrity and Professionalism: At the heart of Chamoun Gallery’s operations is a deep respect for ethical standards and professional conduct. The gallery is committed to transparency in its dealings with artists, clients, and partners. Whether through the fair representation of artists or the responsible management of its exhibitions and collections, Chamoun Gallery upholds the highest levels of integrity in all its endeavors. 

Creating Harmony through Awareness: Chamoun Gallery firmly believes in the power of art to create harmony, fostering a heightened sense of awareness and a deeper appreciation for aesthetics. The gallery believes in its transformative ability to foster harmony in our world. By promoting awareness and understanding through art, they strive to spark meaningful dialogue, bridge cultural and social divides, and nurture a sense of unity among diverse audiences. Chamoun Gallery’s mission is to use art as a catalyst for connection, encouraging empathy and creating a more harmonious and inclusive society. 

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About Chamoun Gallery and its Founder, Nour Chamoun 

Nour Chamoun is the founder of Chamoun gallery. She is originally from Aleppo, Syria, and now calls Montreal home. Nour’s love for art was ignited during her studies in civilization history at St. Basil’s tourism school in Aleppo and further enriched through her pursuit of Art History at the University of Montreal. Her vision for Chamoun Gallery stems from a believing that the power of art can be transformative, creating harmony by elevating awareness and aesthetic appreciation. 

For more information, please visit the Chamoun Gallery website: www.chamoungallery.com 

All photos courtesy of Chamoun Gallery. 

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Q: Introduce yourself — who you are and what is your vision as an artist?

Q: What artist(s) inspire you?

Q: What is the best advice you’ve received?

Q: When you are not working, where can we find you?

Q: What does exhibiting at Art Santa Fe 2024 mean to you?

Art Santa Fe is incredibly important to me. It’s my first time in the southwestern United States sharing my work. Im out of my comfort zone. I have no established base here, no fans, yet grateful to be here. My plan over the past two years is to get out of my Florida comfort zone and start growing in other areas. Santa Fe was a perfect match. I’ve put a ton of heart into the Kress Collection Gallery.

You can find my art and journey on Instagram @mattkressart and website https://mattkress.art

The post Meet the Artist: Matt Kress, The Kress Collection Gallery appeared first on Art Business News.

Q: Introduce yourself — who you are and what your vision as an artist is? What is your background?

A: A retired architect residing in New Mexico for most of the last 50 years, I am living a lifelong calling, to be a fine artist. I believe we cannot live without art.  Whether it is music, film, dance, or visual art, it feeds our soul. I strive to make art that reaches, touches, and connects us to ourselves and others. I have chosen the language of abstract art, a language like no other, with no dictionary to translate it but is open to each individual’s imagination and interpretation. Unlike architecture, there are no constraints. Total freedom is a refreshing change.

My background significantly influences my art. I was born and raised in Pittsburgh, PA, a place with honest, hardworking people. My dream, even as a young child, was to become an architect. With encouragement from my family, I attended Franklin and Marshall College where I studied art history and perfected studio skills that prepared me to pursue an M Arch from the University of New Mexico. I became licensed and through a very successful and rewarding, 40-year architectural practice, I was able to design a diverse portfolio of projects and achieve a fellowship in the American Institute of Architects. In 2020, I retired and now realizing another dream, to be a fine artist.

Q: What is your work philosophy and how does that impact your work?

A: My architectural training and practice taught me a way of thinking. I value simplicity. I’m fascinated by geometry, strong shape and form. My focus is composition. I’m not a fan of making “wallpaper” by creating amorphous or repetitive patterns. I believe, like a good building considers and organizes both the positive (interior) and negative (exterior) space, a good painting does the same. Regarding color and contrast, the high desert environment of the southwest inspired and awakened my creative sensibilities. What can be more visually powerful than an orange sky with purple clouds? Or the lush green, life-filled forest of the Rio Grande moving through rocky earthen, parched mountains? Those contrasts and others are compelling.

Q: What artist(s) inspire you?

A: I am most inspired by Richard Diebenkorn, a genius in composition and color. Never constrained by formalistic rules, he used the entire canvas in unpredictable ways. He was a master of creating strong shapes and forms. He was not afraid to use any color adjacent to any other. His use of line created movement while also contrasting simple planes of color. Like many great artists, he was a rule-breaker for his time. We know he challenged the status quo at the University of New Mexico when he was there in 1950. No adobes adorned with chiles for him. That inspires me.

I’m inspired by many other artists but most notably, the dramatic work of JMW Turner, the color and techniques of Cezanne, Monet and Matisse, and the boldness and simplicity of Franz Kline. Lately, I am enamored with the spontaneity of contemporary artist, David Mankin.

Q: What is the best advice you’ve received?

A: My architectural training taught me to always say, “What if” never relying on one idea. But the best advice that I struggle to comply with daily tells me to not overthink, to follow my own instincts, and to not be afraid to make an ugly painting. Mistakes are opportunities.

Q: When you are not working, where can we find you?

A: Residing in Albuquerque, you can find me with my family and friends enjoying New Mexico’s scenery and perfect weather. Or traveling to see and experience new places that recharge me.

Q: What does exhibiting at Art Santa Fe 2024 mean to you?

A: I’ve been painting in earnest now for about 5 years. Although I have successfully shown my work locally, I’m exhibiting in Art Santa Fe to finally test the waters with a broader audience. The truth is, that artists are constantly looking for validation. I hope I get it here.

The post Art Santa Fe 2024 Spotlight Artist Recipient: Bill Sabatini appeared first on Art Business News.

Q: Introduce yourself — who you are and what your vision as an artist is? What is your background?

A: My name is Vivienne Riggio, I am a Santa Fe-based sculptor. My artistic journey is a testament to a life infused with observation and the transformation of the mundane into the extraordinary. As a way of manifesting my vision, I fabricate large-scale mythical creatures that connect us to another time, another place.

I draw from my experience in operatic costuming and apparel design and use traditional Southwestern embroidery techniques, sheep’s wool up-cycled paper, and unusual objects.

My desire is that these shaman-like sculptures evoke a departure from conventional imagery to an unfamiliar place of wonder. Ultimately, I hope the viewer connects with that other place, a departure from their day-to-day thinking. For some these pieces take on a lifelike presence and others just enjoy the craftsmanship and appreciate them just as a work of art.

Born in Murphysboro, Illinois, my path to becoming an artist was as intuitive as it was inevitable. From my earliest memories, I was captivated by shapes, images, and designs, finding intrigue and expression in the arts from a tender age. My childhood, characterized by introspection and a deep internalization of my surroundings, laid the foundation for a unique artistic language, which I began articulating through three-dimensional art as early as five years old.

My grandparents emigrated to the US from Southern Italy and eventually settled in the Midwest. Their daily lives, though extreme from what Sicilia offered, gave them sustenance and a sense of belonging to something larger. 

In the late fifties, my parents heeded the California call and settled in the Bay Area, a small town ripening with revolutionary fervor. As teens, my siblings and I drank up the culture outside our front door questioning nothing and everything.

This is a small taste of what I inherited and was exposed to. As a young girl, I stood back and observed family dynamics, Catholicism, and academics and spent much of my time creating unusual art as a way of processing and expressing. It’s been that way ever since.

In my late thirties, I discovered New Mexico after a summer of picking fruit in British Columbia. Once landed outside of Albuquerque, I worked at the state fair, at restaurants, and wrote short stories. After a gig at the Santa Fe Opera as a seasonal worker in the costume shop, my artistic vision leaped toward larger dimensional pieces. I eventually settled in Santa Fe, but not before going back and forth to the West Coast and moving where my work took me.

I dedicated my career to labor rights, traveling to factories throughout Latin America, Asia, and North America, interviewing workers and factory owners. I’m now a permanent resident and live a stone’s throw from the Santa Fe River.

Q: What is your work philosophy and how does that impact your work?

A: The core of my artistic philosophy lies in the genuine, unfiltered interaction with the world around me. Whether I am surrounded by the tranquility of nature or immersed in the vibrant energy of a city, every experience is a wellspring of inspiration. My art is a means of distilling these experiences, transforming them into a language of shapes, textures, and forms that resonate on a visceral level. This process is not just about creation but is a form of communication, a way of sharing my perspective and inviting others to see the world through a different lens.

What motivates me to create is the endless potential for transformation—an object, a piece of fabric, or a fleeting image can become a conduit for profound expressions and conversations. I aim to create art that not only captivates visually but also engages on an emotional and intellectual level, prompting reflection and eliciting a sense of wonder. Through my work, I strive to offer a moment of connection, an opportunity for viewers to engage with their surroundings and their inner selves in new and unexpected ways.

Q: What artist(s) inspire you?

A: Magdalena Abakanowicz for her ingenuity to repurpose and courage to go big. Bette Saar to bring renewed life to the discarded. Louise Bourgeois for her courage to express sensuality and objects that cause a reaction in viewers. Graciela Iturbide- for her photographs of rural Mexican women. Christian LeCroix and Alexander McQueen for their otherworldly fashion

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Q: Introduce yourself – who you are and what your vision as an artist is? What is your background?

A: More than a printmaker, or painter, I think of myself as an image maker. My background is in fashion design and pattern making. I worked in the ‘rag trade’ designing clothing and traveling all over the third world to see how well these designs were put together.

Q: What is your work philosophy and how does that impact your work?

A: I enjoy working in the studio on various media including printmaking and painting as well as collage.  I am drawn to historic female characters; strong women and what I imagine that they would wear.

I create, I do not quantify or measure time, I work until the artwork speaks to me and tells me it is complete. It’s a joyful calling. I know that my audience is the world’s smallest and that I am not attempting a mass-market appeal. I listen to my imagination and I try to stay on a flow that avoids tributaries and tangents. What I ask myself each time I come near completion of an artwork is: is this piece remarkable? That’s how I measure.

Q: What artist(s) inspire you?

A: I am inspired by many of the modernists, especially the Santa Fe and Taos modernists of the early 20^th century. Also, I love to look at ancient manuscripts and illuminations for pattern, and composition. The Ukiyo-e Japanese woodcut print artists are always a delight to look at and I am drawn to contemporary public-art artists such as Shepard Fairey and emerging black artists such as Delita Martin and Bisa Butler.

Q: What is the best advice you’ve received?

A: The best advice I’ve received is from a professor in my Masters Degree program who told me to see more and paint less. On a more business-of-art direction I listen to Seth Godin, Akimbo podcast and find value in his philosophy about the world’s smallest audience and being authentic and remarkable with my work.

Q: What does exhibiting at Art Santa Fe 2024 mean to you?

A: Exhibiting at Art Santa Fe means a lot to me in that it is an opportunity to show with an Event Company that has great experience and a track record of putting on well-marketed and well-designed shows of high-caliber artists. I am hoping to find a small audience of galleries and collectors who are interested in purchasing and representing my artwork. 

The post Art Santa Fe Spotlight Recipient: Ouida Touchon appeared first on Art Business News.

Daniel Arsham is a New York based artist whose practice spans fine art, architecture, performance, and film. Arsham’s iconic works meld the past, present, and future, showcasing the malleability and power of nostalgia, often through references to moments of the late 20th century. Eroded casts of modern artifacts and contemporary human figures, his works are crafted out of geological material such as sand, selenite, and volcanic ash. These materials allow for the appearance and aesthetic of erosion or archeological, future relics, as Arsham has dubbed them.

Known for his innovative approach to art and design, Arsham has previously collaborated with iconic brands such as Tiffany & Co., Pokémon, Hublot, RIMOWA, and Disney. Reimagining the characters and themes of The Lorax in his signature style, Arsham blends sculpture, installation, and conceptual art to create a captivating visual narrative. Drawing inspiration from Dr. Seuss’s poignant tale of environmental stewardship, Arsham’s work infuses new life into the iconic story, inviting audiences to reconsider their relationship with the natural world.

The collaboration between Dr. Seuss Enterprises and Arsham represents a fusion of literature, art, and sustainability, encouraging audiences of all ages to reflect on the importance of environmental preservation. Elements of the capsule include a historic first-ever reinterpreted artbook hand-drawn by Arsham, and made out of 100% recycled paper, prints made out of 100% recycled paper, apparel made from eco-cycle materials, and a sustainable porcelain home-goods tray.

Founded in 1993, Dr. Seuss Enterprises is a leading global entertainment company focused on promoting literacy, education, self-confidence and the wonderful possibilities of a child’s imagination through the beloved works of Dr. Seuss. All Dr. Seuss Enterprises’ profits benefit charitable organizations that focus on causes such as education, health, animal conservation, and the arts.

The limited edition collection of Dr. Seuss’s The Lorax created by Daniel Arsham debuted exclusively at Perrotin Store New York. The Dr. Seuss The Lorax Collection by Daniel Ashram includes an art book, a hoodie and long sleeve shirt, a tray, and an open edition print.

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All images © Dr. Seuss & 2024 Daniel Arsham, Inc. All Rights Reserved

About Perrotin:

Emmanuel Perrotin founded his first gallery in 1990 at the age of twenty-one. Since then, he has worked closely with his roster of artists, some for more than thirty years, to realize their ambitious projects. Perrotin has galleries in 7 cities globally (Paris, Hong Kong, New York, Seoul, Tokyo, Shanghai, Los Angeles), totaling approximately 86,450 square feet of exhibition space. These multiple venues offer flexibility, enabling Perrotin to continue staging ambitious projects and large-scale exhibitions for the varied group of world-renowned artists it represents. The gallery organizes about 45 exhibitions a year, and partakes in about 20 international art fairs. Perrotin represents more than 65 artists and estates, and also collaborates with approximately 30 others. Altogether, the gallery provides exposure to both established and emerging artists of more than 27 nationalities. The gallery also publishes books, special editions, and artists’ objects, available in every Perrotin Store.

For more information, please visit https://storeny.perrotin.com and follow us on social media @DrSeuss, @DanielArsham, @Perrotin, @PerrotinStore.

Founded in 1993, Dr. Seuss Enterprises is a leading global entertainment company focused on promoting literacy, education, self-confidence and the wonderful possibilities of a child’s imagination through the beloved works of Dr. Seuss. All Dr. Seuss Enterprises’ profits benefit charitable organizations that focus on causes such as education, health, animal conservation, and the arts. For more information visit DrSeussEnterprises.com or follow on Instagram.

About Daniel Arsham:

Daniel Arsham is a New York based artist whose practice spans fine art, architecture, performance, and film. Arsham’s iconic works meld the past, present and future, showcasing the malleability and power of nostalgia, often through references to moments of the late 20th century. Eroded casts of modern artifacts and contemporary human figures, his works are crafted out of geological material such as sand, selenite and volcanic ash. These materials allow for the appearance and aesthetic of erosion or archeological, future relics, as Arsham has dubbed them. Arsham has been the subject of solo exhibitions at the Orange County Museum of Art, Musée Guimet, Paris, France; UCCA Center for Contemporary Art, Dune, China; MOCO Museum, Amsterdam, The Netherlands; HOW Museum, Shanghai, China; The Cranbrook Art Museum, Detroit, Michigan; and the High Museum of Art, Atlanta, Georgia, USA; among others. Arsham’s works have been exhibited at the National Gallery of Victoria Triennial, Melbourne, Australia; The Athens Biennale in Athens, Greece; Musée Fenaille, Rodez, Carré d’Art de Nîmes, and Paris La Défense, France; Frieze Sculpture, London, U.K.; The Athens Biennale in Athens, Greece; and Crystal Bridges Museum of American Art, Bentonville, Arkansas, SCAD Museum, Savannah, Georgia, Museum of Contemporary Art, Chicago, the New Museum and MoMA PS1, New York, USA; among others.

About Perrotin: 

Emmanuel Perrotin founded his first gallery in 1990 at the age of twenty-one. Since then, he has worked closely with his roster of artists, some for more than thirty years, to realize their ambitious projects. Perrotin has galleries in 7 cities globally (Paris, Hong Kong, New York, Seoul, Tokyo, Shanghai, Los Angeles), totaling approximately 86,450 square feet of exhibition space. These multiple venues offer flexibility, enabling Perrotin to continue staging ambitious projects and large-scale exhibitions for the varied group of world-renowned artists it represents. The gallery organizes about 45 exhibitions a year, and partakes in about 20 international art fairs. Perrotin represents more than 65 artists and estates, and also collaborates with approximately 30 others. Altogether, the gallery provides exposure to both established and emerging artists of more than 27 nationalities. The gallery also publishes books, special editions, and artists’ objects, available in every Perrotin Store.

The post Dr. Seuss’s The Lorax Get Contemporary Makeover appeared first on Art Business News.

Finding your true personal style is not easy, especially if you want to profit from your art. When looking for artists to do commercial orders, buyers usually look for specific styles and art forms. One of the most significant pieces of advice a young artist can receive is not to chase money at this point. If you start painting for money before you find your true style, you might never find it because you’ll get stuck in commercial expectations.

Increase the Size

To make an artwork unconventional, you can start experimenting with size, contents, or techniques, or possibly all three!

The first way to make your paintings stand out is the size of the painting itself. No matter the style you work in – realism, impressionism or abstract art, it can be magnificent if you increase the size.

Think of Botticelli’s Birth of Venus, Rembrandt’s Night Watch, Bosch’s The Garden of Earthly Delights, Velázquez’s Las Meninas, or Klimt’s Kiss. They were all made at different times by different artists from different countries. But what connects those artworks is their huge size and great detail. You can strive to create similar artworks by increasing the scale. Just be ready to spend some time creating them since they require a great deal of detailed work.

Add Texture

With Acrylic Paints

Another way to make your art stand out is by adding layers or width. You can pipe acrylic paint onto the canvas to create voluminous, textured pieces that catch the eye of everyone walking past. Layering acrylic with a palette knife or even a piping bag can give your painting a vibrant, almost alive appearance.

With Paper

Another way to add texture is to use unconventional media like paper. You can refer to the works of Domitilla Biondi for inspiration. She’s an Italian artist who layers paper on the canvas to create unusual, mostly white-on-white works. The images she creates with paper are mostly floral or inspired by nature, but you can go in any other direction if you don’t want to copy her work directly.

Another great example is Lauren Collin, who uses colored or painted paper to layer on top of her canvas and make her art unique. Her works are also often monochromatic, but they stand out greatly due to the texture and unusual media used. Her paper work resembles feathers or leaves of a palm.

With Textile

Using textiles in your art is another great way to try out something new and experiment. There are lots of opportunities and room for experiments when it comes to textiles. You can paint directly on clothes, embroider, dye textiles, layer them on canvas, or even add them to your oil paintings.

Anni Albers is a famous representative of this genre. With her works, she was one of the first people who challenged the dichotomy between art and craft. Weaving and printmaking were the most dominant mediums in her works. She achieved great fame despite the boundaries put in place for women and untraditional genres.

You can learn about using non-traditional materials from Ghanaian artist El Anatsui. He uses aluminum bottle caps, copper wire, and other unusual materials found outside. He creates large-scale tapestries, wall hangings and sculptures that focus on globalization and consumption, as well as reflect his African heritage.

Nina Kratz can be your inspiration when it comes to using textiles in canvas form. She carefully weaves fabrics together to create intricate and detailed designs. Her style reflects her Scandinavian heritage since her works are minimalistic and sophisticated. At the same time, they grab a lot of attention since they look like they are frozen in time.

If you’re interested in working with tread in combination with other somewhat random objects, you can refer to the works of Lisa Kokin. Some of her works feature leaves machine-stitched onto paper, bound by the canvas. Her most recent works are quite abstract. She tends to stitch her art onto a canvas of fabric, sometimes adding other materials.

Use Household Objects

It’s only natural that a beginner artist would not be able to afford a huge studio to store their unfinished 6-foot tall paintings or tons of acrylic paint to create heavily textured works. This is why we suggest you start experimenting with household items.

Look around your kitchen and you are bound to find interesting textures and inspiring images. The imprint of a box grater, a fork, or your house plants can create interesting shapes when applied to canvas.

Using bubble wrap or cling film can also help spice up your paintings. While bubble wrap can be used to create a honeycomb-like texture, with plastic wrap, you can manipulate the paints using your hands without making a mess. Old toothbrushes, hair brushes or combs can help you create random, or, vice versa, ideally symmetrical lines that transform your canvas into something else.

Wrapping Up

Creating art is not easy, but it shouldn’t be. To create means to give birth to something new, something unexplored and uncharted. If you start by creating art for sale, you might never be able to find your own unique style. This is exactly why, to be a great artist, one needs to have courage and be able to challenge oneself.

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Author’s Bio:

Olivia Walker, renowned for her exceptional dissertation help provided by Essaypro, has significantly impacted academic writing, guiding students toward scholarly excellence with her expertise and dedicated support.

The post Unleashing Creativity: Unexpected Tools For Extraordinary Paintings appeared first on Art Business News.

Q: Introduce yourself — who you are and what is your vision as an artist?

A: We are Resurrect Studio Co-Founders, Jean Davis and Nancy Wu. Having met 8 years ago, we feel like we are 8 as well. Accordingly, we don’t think of ourselves as taking full responsibility for the formation of our glasswork, but rather, we are vehicles for what the art has come to be. We journey to a century-old landfill in Brooklyn to pick up glass fragments percolating into the bay. Our art is an excavation of the collective unconscious from Victorian-era New York City seen in today’s light.

Q: What is your background?

A: JD: I’m an artist in my heart and an art therapist in my psyche. I’ve worked for decades as a licensed art therapist in medical and psychiatric facilities as well as in private practice. I’ve been making art my whole life and did my undergraduate studies at the School of Visual Arts. Through a long commitment to art and art therapy, I’m now a Full-Time Professor at Pratt Institute, a therapist in private practice, and with gratitude — Co-Founder of Resurrect Studio with Nancy.

NW: I have an English literature degree with a master’s in architecture. I began oil painting shortly after my daughter passed suddenly in 2016 at age 13.  To keep my chin up, I surrendered to a variety of things to heal me. Making art was one of them. Jean helped usher me through the unimaginable. Our families grew closer through the grieving process and the healing space that emerged evolved into Resurrect Studio.

Q: What is your work philosophy and how does that impact your work?

A: JD: Many technical approaches are effective when conducting psychotherapy, but it’s the clients we love that are helped the most. This is also true when making art. When I put my full heart into creating, the work transcends me.

NW: Our art benefits from the gusto of 2 creatives with post-menopausal zest. In our collaborations, we’ve noticed that Jean tends to create innards, and I love to ground them and consider how they touch the sky. We’re both ever mindful of capturing negative space as well as a landing pad for the eye to be still. This is essential to an artist’s hospitality; they must allow the viewer to just be.

Music and dance have a group component built into them, but less so in the visual arts. Two sets of eyes are better than one in this kind of art making especially when we can grab a critique. When it gets to be too much admin and not enough making, one of us will call pencils down, turn on some dance tunes, and remind the other to “get clinking.”

Q: What artist(s) inspire you?

A: JD: I love art that takes me away from me! Some artists and their work do this for me and each time I return I see through a new lens. There are many ways to travel through inner and outer space.

NW:  A resourceful sensibility inspires me, not necessarily precedence.  It’s the skillset for making fried rice from a wilted scallion, rice, and an egg.  Missionaries inspire me with their can-do attitude. For example, we have a nun friend, Ces, capable of fixing most things with #4 wire and/or duct tape.

My father is a tenor who trained in Rome.  Upon seeing a playful accordionist at our wedding, he launched into a duet, a fantastical display people still marvel at today.  The sincerity and spontaneity of his artistry have affected me profoundly time and again.  Retrospectively, my mother coined healthy neglect as her parenting style in raising 6 kids.  We were given ample space to be imaginative, yet I think we can all agree we were never far from her mind’s eye.

Although my bookcases are packed, for inspiration I rely on my bike to marvel at the beauty of trees in the clouds, something Jean and I do, and if that doesn’t help, I’ll cut open a red cabbage deferring to its staggering beauty to align me with what is.  Modest Mussorgsky attended an art opening by his friend and then went home to compose Pictures at an Exhibition. I’d love for us to do this for someone.

Q: What is the best advice you’ve received?

A: JD: My mom always said, “This too shall pass.”  The expression gave me great relief in stressful times.  She had a way of only gently fluttering in the midst of a storm. I think we offered each other very different perspectives which, (for the most part!), enhanced our relationship. I love that.

NW: Hum when you sweep. Be daring. Go for it.

Q: When you are not working, where can we find you?

A: JD: Good work is play and good play is work. Therefore, I am hopeful that you will often find me doing these things simultaneously with my family and friends while doing therapy and teaching students or while simply tinkering around. 

NW: Renovating the next phase of our house with my husband Bob and son Bo, who both have a surfs-up attitude for seeing art and travel.

Q: What does exhibiting at Artexpo New York 2024 mean to you?

A: JD: This venture is a very new and exciting opportunity as we/Resurrect Studio are only 3 years old!  Connecting with others through art is so pleasurable. It’s why working and playing in the studio with Nancy gives such pleasure to the artist in me. I believe this kind of reciprocity at ArtExpo New York will support our development and the development of Resurrect Studio.

NW: Let the games begin!

The post Meet the Artist – Artexpo New York Spotlight Recipient: Resurrect Studio appeared first on Art Business News.

Q: Introduce yourself — who you are and what is your vision as an artist?

A: We started with the idea of spreading The Mount Fuji Illustrated Scrolls created by Hōraku Nakamura to the world. Our mission is to spread Japanese myths and legends through art. In the future, we will begin to introduce more Japanese art and culture, including the work of Hōraku Nakamura’s son, sculptor Nakamura Ippei.

Q: What is your background?

A: I was born into a family of pottery artists and went to art college in Japan where I majored in painting. Tengetsu was just launched last year. I also run a game company and an education project for children, which I founded with my husband.

Q: What is your work philosophy and how does that impact your work?

A: My philosophy is “to do what pleases my soul the most.” Furthermore, for me, that joy is the encounter with art. Born in Japan to a family of pottery artists, my encounters with Japanese arts, crafts, and culture (including video games, manga, and anime) have shaped me. I am convinced that sharing this unique Japanese art and culture with the world and being inspired by great art from around the world will shape the style of Tengetsu in the future.

Q: What artist(s) inspire you?

A: We have a sincere respect for traditional Japanese painting, ceramics, crafts, and craftsmanship in Japanese culture, including manga, and anime.

Q: What is the best advice you’ve received?

A:「君よ芳しき楽しみに生きよイエーイ」

It was given to me by my father and means, “O thou, Live in the fragrant joy, yay!” It also includes the meaning of my father’s writer’s name.

Q: What does exhibiting at Artexpo New York 2024 mean to you?

A: I love the glamor and cultural atmosphere of New York City. It has been our dream since childhood to introduce Japanese art in New York. This is the best first step for us and it will be a great experience to meet many artworks, artists, and galleries at Artexpo New York.

Don’t miss Tengetsu at Booth 316 at Artexpo New York 2024.

The post Meet the Artist – Artexpo New York Spotlight Recipient: Tengetsu appeared first on Art Business News.