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	<title>
	Comments on: The Cost of Conservation and Restoration	</title>
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	<link>https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/</link>
	<description>The art industry&#039;s news leader since 1977</description>
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		<title>
		By: Alina Kimel		</title>
		<link>https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-2005</link>

		<dc:creator><![CDATA[Alina Kimel]]></dc:creator>
		<pubDate>Fri, 09 Aug 2019 18:14:02 +0000</pubDate>
		<guid isPermaLink="false">http://artbusinessnews.com/?p=9306#comment-2005</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1092&quot;&gt;Ron Gaiser&lt;/a&gt;.

Fresco Art co., inc. is a unique company specializing in the restoration, renovation oil paintings.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1092">Ron Gaiser</a>.</p>
<p>Fresco Art co., inc. is a unique company specializing in the restoration, renovation oil paintings.</p>
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		<title>
		By: Brandi Martin		</title>
		<link>https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1996</link>

		<dc:creator><![CDATA[Brandi Martin]]></dc:creator>
		<pubDate>Tue, 23 Jul 2019 21:56:30 +0000</pubDate>
		<guid isPermaLink="false">http://artbusinessnews.com/?p=9306#comment-1996</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1093&quot;&gt;Ron Gaiser&lt;/a&gt;.

I could refurbish it for  $1,000. Need to know if it&#039;s on canvas or board? How bad are the chips?]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1093">Ron Gaiser</a>.</p>
<p>I could refurbish it for  $1,000. Need to know if it&#8217;s on canvas or board? How bad are the chips?</p>
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		<title>
		By: Tom Zidik		</title>
		<link>https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1989</link>

		<dc:creator><![CDATA[Tom Zidik]]></dc:creator>
		<pubDate>Thu, 27 Jun 2019 22:40:14 +0000</pubDate>
		<guid isPermaLink="false">http://artbusinessnews.com/?p=9306#comment-1989</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1630&quot;&gt;Seth Irwin&lt;/a&gt;.

Seth,
My wife and I have owned a Hudson School Pastel for the past 42 years. It is a prized possession. I have been doing some research and have found that the painting has many characteristics of the one found that had a copy of the Declaration of Independence behind the work. It has a beautiful hand carved frame, original glass and the back of the painting has never been removed. I contacted my state museum and they are not interested in helping me. My questions to you are, would an x-ray show if there is another piece of paper behind the painting and would it damage the work?
Thank You Seth]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1630">Seth Irwin</a>.</p>
<p>Seth,<br />
My wife and I have owned a Hudson School Pastel for the past 42 years. It is a prized possession. I have been doing some research and have found that the painting has many characteristics of the one found that had a copy of the Declaration of Independence behind the work. It has a beautiful hand carved frame, original glass and the back of the painting has never been removed. I contacted my state museum and they are not interested in helping me. My questions to you are, would an x-ray show if there is another piece of paper behind the painting and would it damage the work?<br />
Thank You Seth</p>
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		<title>
		By: Sharon Terhune		</title>
		<link>https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1915</link>

		<dc:creator><![CDATA[Sharon Terhune]]></dc:creator>
		<pubDate>Mon, 04 Mar 2019 06:03:39 +0000</pubDate>
		<guid isPermaLink="false">http://artbusinessnews.com/?p=9306#comment-1915</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1706&quot;&gt;Laura Lewis&lt;/a&gt;.

Did you ever get your piece of your ancestor restored?]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1706">Laura Lewis</a>.</p>
<p>Did you ever get your piece of your ancestor restored?</p>
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		<title>
		By: Sharon Terhune		</title>
		<link>https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1914</link>

		<dc:creator><![CDATA[Sharon Terhune]]></dc:creator>
		<pubDate>Mon, 04 Mar 2019 05:56:07 +0000</pubDate>
		<guid isPermaLink="false">http://artbusinessnews.com/?p=9306#comment-1914</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1092&quot;&gt;Ron Gaiser&lt;/a&gt;.

I do art restorations. I have been doing it for over 35 years. Clients ship their pieces to me internationally. I have a huge client base in The Bahamas they ship to me here in Florida. I also have Florida clients as well. I can give you references of past work I have done. My biggest and most notable client is Gilbert Llyod from Llyods of London. I did about 40 pieces of his private collection that he had in his Bahamas residence.  My contact information is 352-531-8762 if you would like to discuss your piece further.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1092">Ron Gaiser</a>.</p>
<p>I do art restorations. I have been doing it for over 35 years. Clients ship their pieces to me internationally. I have a huge client base in The Bahamas they ship to me here in Florida. I also have Florida clients as well. I can give you references of past work I have done. My biggest and most notable client is Gilbert Llyod from Llyods of London. I did about 40 pieces of his private collection that he had in his Bahamas residence.  My contact information is 352-531-8762 if you would like to discuss your piece further.</p>
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		<title>
		By: Charles Williams		</title>
		<link>https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1905</link>

		<dc:creator><![CDATA[Charles Williams]]></dc:creator>
		<pubDate>Thu, 21 Feb 2019 04:41:44 +0000</pubDate>
		<guid isPermaLink="false">http://artbusinessnews.com/?p=9306#comment-1905</guid>

					<description><![CDATA[I am reopening my gallery Framing prices have changed I need to know  what are the new framing charges in Pennsyvania]]></description>
			<content:encoded><![CDATA[<p>I am reopening my gallery Framing prices have changed I need to know  what are the new framing charges in Pennsyvania</p>
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		<title>
		By: John bergmann		</title>
		<link>https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1835</link>

		<dc:creator><![CDATA[John bergmann]]></dc:creator>
		<pubDate>Sat, 22 Sep 2018 19:56:07 +0000</pubDate>
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					<description><![CDATA[Any chance you can remove glue and stiff backing on an etching from the 20,30s in fact I have 6 to be done over thank you johnb]]></description>
			<content:encoded><![CDATA[<p>Any chance you can remove glue and stiff backing on an etching from the 20,30s in fact I have 6 to be done over thank you johnb</p>
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		<title>
		By: Lora Sweetwater		</title>
		<link>https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1787</link>

		<dc:creator><![CDATA[Lora Sweetwater]]></dc:creator>
		<pubDate>Wed, 16 May 2018 17:45:30 +0000</pubDate>
		<guid isPermaLink="false">http://artbusinessnews.com/?p=9306#comment-1787</guid>

					<description><![CDATA[Fabulous article. And, you answered all of my questions. Thank you.]]></description>
			<content:encoded><![CDATA[<p>Fabulous article. And, you answered all of my questions. Thank you.</p>
]]></content:encoded>
		
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		<title>
		By: Laura Lewis		</title>
		<link>https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1706</link>

		<dc:creator><![CDATA[Laura Lewis]]></dc:creator>
		<pubDate>Sun, 17 Sep 2017 20:00:00 +0000</pubDate>
		<guid isPermaLink="false">http://artbusinessnews.com/?p=9306#comment-1706</guid>

					<description><![CDATA[Sunday, September17, 2017
We have a portrait of an ancestor that needs to be cleaned.   It is very large.  Possibly, just a guess the width is 48 X 56 inches.   To my knowledge, it has never been cleaned; probably full of wax &#038; soot and you cannot the signature.  No holes.  One spot , not even as big as the head of a thumb tack where paint will need to be repaired.

Thank you,

Best regards,
Laura]]></description>
			<content:encoded><![CDATA[<p>Sunday, September17, 2017<br />
We have a portrait of an ancestor that needs to be cleaned.   It is very large.  Possibly, just a guess the width is 48 X 56 inches.   To my knowledge, it has never been cleaned; probably full of wax &amp; soot and you cannot the signature.  No holes.  One spot , not even as big as the head of a thumb tack where paint will need to be repaired.</p>
<p>Thank you,</p>
<p>Best regards,<br />
Laura</p>
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		<title>
		By: Anabela F.		</title>
		<link>https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1647</link>

		<dc:creator><![CDATA[Anabela F.]]></dc:creator>
		<pubDate>Mon, 15 May 2017 14:52:00 +0000</pubDate>
		<guid isPermaLink="false">http://artbusinessnews.com/?p=9306#comment-1647</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1092&quot;&gt;Ron Gaiser&lt;/a&gt;.

Please look me up Brush Strokes Fine Art LLC Springfield VA. I have been working with oil restoration and conservation for a long period of time. www.anabela-artist.com/artrestorations/]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://dev.artbusinessnews.com/2015/12/the-cost-of-conservation-and-restoration/#comment-1092">Ron Gaiser</a>.</p>
<p>Please look me up Brush Strokes Fine Art LLC Springfield VA. I have been working with oil restoration and conservation for a long period of time. <a href="http://www.anabela-artist.com/artrestorations/" rel="nofollow ugc">http://www.anabela-artist.com/artrestorations/</a></p>
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